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Track List
01) Thinking Allowed?
02) Cry of the Land
03) Schadenfreude
04) A Near Life Experience
05) The Wickedest Man in the World
06) Earth Mother, the Sun and the Furious Host
07) The Ilk of Human Blindness
08) Tunnel Visionaries
09) A Word to the Wise
10) Bewilderbeast
11) It Wasn't Meant to End This Way
01) Thinking Allowed?
02) Cry of the Land
03) Schadenfreude
04) A Near Life Experience
05) The Wickedest Man in the World
06) Earth Mother, the Sun and the Furious Host
07) The Ilk of Human Blindness
08) Tunnel Visionaries
09) A Word to the Wise
10) Bewilderbeast
11) It Wasn't Meant to End This Way
3:54
4:24
4:05
3:16
3:57
3:16
3:45
0:58
6:13
2:37
3:19
Data Complete 50%
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1993
Folk
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Metal
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Album
0 copies
Album Description
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"Jonah's Ark" is the third full-length album by British folk metal band Skyclad, released in 1993 on the Noise label.
The band had reduced the Thrash elements to the point where they supported the Folk elements rather than overrode them, and is considered by many as the first true Folk Metal album.
Fritha Jenkins was now a permanent member in the lineup and it was surprisingly good how fitting some violin solo or lead themes were tying with the rough-edged riffing of the songs.
This album is impressively diverse. It starts out with a violin and a mandolin intro, which changes to a thrashing guitar riff of "Thinking Allowed", one of the best songs here. "Cry of the Land" is another highlight. Written in a 3/4 time signature, it presents the band's unusually mellow playing, with many acoustic guitars, and a dominating violin, perhaps, for the first time in their discography.
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"Jonah's Ark" is the third full-length album by British folk metal band Skyclad, released in 1993 on the Noise label.
The band had reduced the Thrash elements to the point where they supported the Folk elements rather than overrode them, and is considered by many as the first true Folk Metal album.
Fritha Jenkins was now a permanent member in the lineup and it was surprisingly good how fitting some violin solo or lead themes were tying with the rough-edged riffing of the songs.
This album is impressively diverse. It starts out with a violin and a mandolin intro, which changes to a thrashing guitar riff of "Thinking Allowed", one of the best songs here. "Cry of the Land" is another highlight. Written in a 3/4 time signature, it presents the band's unusually mellow playing, with many acoustic guitars, and a dominating violin, perhaps, for the first time in their discography.
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