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Track List
01) Give Life Back to Music
02) The Game of Love
03) Giorgio by Moroder
04) Within
05) Instant Crush
06) Lose Yourself to Dance 
07) Touch
08) Get Lucky
09) Beyond
10) Motherboard
11) Fragments of Time
12) Doin' It Right
13) Contact
14) Horizon
01) Give Life Back to Music
02) The Game of Love
03) Giorgio by Moroder
04) Within
05) Instant Crush
06) Lose Yourself to Dance
07) Touch
08) Get Lucky
09) Beyond
10) Motherboard
11) Fragments of Time
12) Doin' It Right
13) Contact
14) Horizon
4:34
5:21
9:04
3:48
5:37
5:53
8:18
6:07
4:50
5:41
4:39
4:11
6:21
4:24
Data Complete
80%
Total Rating
80%Total Rating
(6 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
House
Happy
Electronic
---
Medium
Album
0 copies
Album Description
Available in:
Random Access Memories es el cuarto álbum de estudio del dúo francés Daft Punk. Fue lanzado oficialmente el 17 de mayo en Australia, lanzado después en el Reino Unido el 20 de mayo y para Estados Unidos el 21 de mayo de 2013, bajo licencia de Daft Life. El inicio de grabación de este disco inició cuando el dúo preparaba el soundtrack de la película Tron: Legacy, sin un plan claro en cuanto a lo que sería su estructura. Después de haber anunciado su nuevo contrato con Columbia Records, Daft Punk empezó a promocionar el nuevo álbum con cartéles, anuncios televisivos y series para internet.
Random Access Memories hace un tributo a la música estadounidense de la época de los 1970s y la primera parte de los 1980s, particularmente al sonido de Los Ángeles durante esa época. Daft Punk grabó el álbum en gran parte con orquesta en vivo con sesiónes musicales y con un uso limitado de máquinas de percusión, sintetizador modular, y con una vendimia de vocoders. El álbum contiene un gran número de colaboradores, entre ellos se destácan: Panda Bear, Chilly Gonzales, DJ Falcon, Julian Casablancas, Todd Edwards, Paul Williams, Pharrell Williams, Nile Rodgers y Ghallmarck. El álbum fue recibido con críticas positivas.
Durante la primera mitad de 2013, vendió 614 000 copias en los Estados Unidos, donde se convirtió en el décimo álbum más vendido durante dicho periodo.
User Album Review
What has been will be again, what has been done will be done again; there is nothing new under the sun.” So said the Preacher of Ecclesiastes. And he said it two and a half thousand years ago, which puts people moaning about things sounding like the ’80s into perspective.
It’s rare to hear a record that doesn’t sound like anything you’ve ever heard, and rarer still to hear one that also puts a smile on your face. How many great bands turn their backs on putting out the same old shit only to release records so calculatingly ‘out there’ they feel like maths homework? They forget this is supposed to be FUN. Yeah, Radiohead, I’m talking to you.
Daft Punk have enjoyed near-universal acclaim over 20 years and three albums but ‘Random Access Memories’ is their greatest achievement: an ambitious masterpiece you can’t imagine being made by anyone other than Thomas Bangalter and Guy-Manuel de Homem-Christo.
Opener ‘Give Life Back To Music’ sets the tone with guitars that wouldn’t have sounded out of place on Giorgio Moroder’s Top Gun score. It features Chic’s Nile Rodgers and Paul Jackson Jr, who played on ‘Thriller’, so it’s as funky as you’d expect. The sound of a happy crowd gurgles in the background. The party’s right here.
‘The Game Of Love’ slips into a slower tempo, as a melancholy android discovers heartbreak. The record is loosely themed around a robot’s attempt to become human, and if he needs a guide who better than the producer who gave us Donna Summer’s ‘I Feel Love’? ‘Giorgio By Moroder’ is a documentary of sorts, in which the titular hero narrates his life story. When he describes the beginnings of the disco beat, we hear an insistent click track. When he tells us that when we create art there are no rules, the music proves him right. It’s a life-affirming salute to the power of the imagination.
After this, there’s a sea change. Chilly Gonzales plays a 45-second piano solo that takes us into ‘Within’, marking the transition from the first three tracks. This is a record that’s been painstakingly slaved over. The track itself is restrained, as our robot protagonist begins to realise just how much he’s yet to understand.
He’ll be hard-pressed to catch all of Julian Casablancas’ quickfire lyrics on ‘Instant Crush’, an instant nightclub anthem. ‘Lose Yourself To Dance’ is paired with ‘Get Lucky’, representing the album’s poppiest moments and featuring the dream team of Nile Rodgers and Pharrell Williams. Sitting between the two is the record’s startling centrepiece, ‘Touch’. Paul Williams might be best known as a composer for the Muppets, but Daft Punk love him best as Swan, the villainous antihero of operatic horror film Phantom Of The Paradise. His background in psychedelic storytelling is put to use on an eight-minute epic that changes shape every time you draw breath.
‘Beyond’ is another melancholy-hearted collaboration with Paul Williams. ‘Motherboard’ is a long, spacey instrumental that sounds as if it’s somehow melting. ‘Fragments Of Time’ is a further glorious high in which Todd Edwards describes his time in LA and makes you feel like you’re driving a fast car down the west coast of the USA. ‘Doin’ It Right’ features Panda Bear of Animal Collective and is the album’s most forward-looking moment; closing track ‘Contact’ is a DJ Falcon collaboration, and an example of pure musical adrenalin.
By assembling a cast of their favourite musicians and delving into their adolescent memories, Daft Punk have created something as emotionally honest as any singer-songwriter confessional – and a lot more fun to dance to. Go out and rejoice: there’s something new under the sun.
https://www.nme.com/reviews/daft-punk/14423
External Album Reviews
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User Comments
Available in:
Random Access Memories es el cuarto álbum de estudio del dúo francés Daft Punk. Fue lanzado oficialmente el 17 de mayo en Australia, lanzado después en el Reino Unido el 20 de mayo y para Estados Unidos el 21 de mayo de 2013, bajo licencia de Daft Life. El inicio de grabación de este disco inició cuando el dúo preparaba el soundtrack de la película Tron: Legacy, sin un plan claro en cuanto a lo que sería su estructura. Después de haber anunciado su nuevo contrato con Columbia Records, Daft Punk empezó a promocionar el nuevo álbum con cartéles, anuncios televisivos y series para internet.
Random Access Memories hace un tributo a la música estadounidense de la época de los 1970s y la primera parte de los 1980s, particularmente al sonido de Los Ángeles durante esa época. Daft Punk grabó el álbum en gran parte con orquesta en vivo con sesiónes musicales y con un uso limitado de máquinas de percusión, sintetizador modular, y con una vendimia de vocoders. El álbum contiene un gran número de colaboradores, entre ellos se destácan: Panda Bear, Chilly Gonzales, DJ Falcon, Julian Casablancas, Todd Edwards, Paul Williams, Pharrell Williams, Nile Rodgers y Ghallmarck. El álbum fue recibido con críticas positivas.
Durante la primera mitad de 2013, vendió 614 000 copias en los Estados Unidos, donde se convirtió en el décimo álbum más vendido durante dicho periodo.
User Album Review
What has been will be again, what has been done will be done again; there is nothing new under the sun.” So said the Preacher of Ecclesiastes. And he said it two and a half thousand years ago, which puts people moaning about things sounding like the ’80s into perspective.
It’s rare to hear a record that doesn’t sound like anything you’ve ever heard, and rarer still to hear one that also puts a smile on your face. How many great bands turn their backs on putting out the same old shit only to release records so calculatingly ‘out there’ they feel like maths homework? They forget this is supposed to be FUN. Yeah, Radiohead, I’m talking to you.
Daft Punk have enjoyed near-universal acclaim over 20 years and three albums but ‘Random Access Memories’ is their greatest achievement: an ambitious masterpiece you can’t imagine being made by anyone other than Thomas Bangalter and Guy-Manuel de Homem-Christo.
Opener ‘Give Life Back To Music’ sets the tone with guitars that wouldn’t have sounded out of place on Giorgio Moroder’s Top Gun score. It features Chic’s Nile Rodgers and Paul Jackson Jr, who played on ‘Thriller’, so it’s as funky as you’d expect. The sound of a happy crowd gurgles in the background. The party’s right here.
‘The Game Of Love’ slips into a slower tempo, as a melancholy android discovers heartbreak. The record is loosely themed around a robot’s attempt to become human, and if he needs a guide who better than the producer who gave us Donna Summer’s ‘I Feel Love’? ‘Giorgio By Moroder’ is a documentary of sorts, in which the titular hero narrates his life story. When he describes the beginnings of the disco beat, we hear an insistent click track. When he tells us that when we create art there are no rules, the music proves him right. It’s a life-affirming salute to the power of the imagination.
After this, there’s a sea change. Chilly Gonzales plays a 45-second piano solo that takes us into ‘Within’, marking the transition from the first three tracks. This is a record that’s been painstakingly slaved over. The track itself is restrained, as our robot protagonist begins to realise just how much he’s yet to understand.
He’ll be hard-pressed to catch all of Julian Casablancas’ quickfire lyrics on ‘Instant Crush’, an instant nightclub anthem. ‘Lose Yourself To Dance’ is paired with ‘Get Lucky’, representing the album’s poppiest moments and featuring the dream team of Nile Rodgers and Pharrell Williams. Sitting between the two is the record’s startling centrepiece, ‘Touch’. Paul Williams might be best known as a composer for the Muppets, but Daft Punk love him best as Swan, the villainous antihero of operatic horror film Phantom Of The Paradise. His background in psychedelic storytelling is put to use on an eight-minute epic that changes shape every time you draw breath.
‘Beyond’ is another melancholy-hearted collaboration with Paul Williams. ‘Motherboard’ is a long, spacey instrumental that sounds as if it’s somehow melting. ‘Fragments Of Time’ is a further glorious high in which Todd Edwards describes his time in LA and makes you feel like you’re driving a fast car down the west coast of the USA. ‘Doin’ It Right’ features Panda Bear of Animal Collective and is the album’s most forward-looking moment; closing track ‘Contact’ is a DJ Falcon collaboration, and an example of pure musical adrenalin.
By assembling a cast of their favourite musicians and delving into their adolescent memories, Daft Punk have created something as emotionally honest as any singer-songwriter confessional – and a lot more fun to dance to. Go out and rejoice: there’s something new under the sun.
https://www.nme.com/reviews/daft-punk/14423
External Album Reviews
None...
User Comments
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unlockedRank: External Links
Instant classic album, could listen to this all day long. Genious!