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Track List
01) Mine (pop mix)
02) Sparks Fly
03) Back to December
04) Speak Now
05) Dear John
06) Mean
07) The Story of Us
08) Never Grow Up
09) Enchanted
10) Better Than Revenge
11) Innocent
12) Haunted
13) Last Kiss
14) Long Live
Cd 2
01) Ours
02) If This Was a Movie
03) Superman
04) Back to December (acoustic)
05) Haunted (acoustic)
06) Mine
07) Back to December
08) The Story of Us (US version)
01) Mine (pop mix)
02) Sparks Fly
03) Back to December
04) Speak Now
05) Dear John
06) Mean
07) The Story of Us
08) Never Grow Up
09) Enchanted
10) Better Than Revenge
11) Innocent
12) Haunted
13) Last Kiss
14) Long Live
Cd 2
01) Ours
02) If This Was a Movie
03) Superman
04) Back to December (acoustic)
05) Haunted (acoustic)
06) Mine
07) Back to December
08) The Story of Us (US version)
3:52
4:23
4:55
4:03
6:46
3:59
4:28
4:53
5:53
3:40
5:03
4:05
6:09
5:18
3:59
3:56
4:37
4:53
3:38
3:52
4:54
4:25
Data Complete
90%
Total Rating
90%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2010
Country Pop
Needy
Rock/Pop
---
Medium
Album
4,200,000 copies
Album Description
Available in:
Taylor Swift er debutalbumet til Taylor Swift, utgitt i 2006 av Big Machine Records. Albumet solgte i løpet av ett år hele 40 000 eksemplarer og fikk 6. plass på Billboard -lista.
User Album Review
They grow up so fast these days, don’t they? Having taken the lion’s share of the writing credits on 2008’s mammoth-selling Fearless, all of the songs on Taylor Swift’s new album are self-penned, betraying the sort of accomplishment that should keep her sitting pretty in the rock firmament for as long as she likes. Still only 20, that could be a mighty long time.
Although Nathan Chapman is still in the producer’s chair, there’s a perceptible, sonic move away from Nashville; the shift had clearly begun on Fearless, managing the crossover to the global mainstream with ease, but Speak Now plugs a sturdy marker in the pop-rock soil. On current single and terrific opening track Mine, the slide guitar is buried so deep in mix, it’s almost apologetic – or even a joke at the expense of Swift’s roots. But the twang in her voice is here to stay, somehow reinforcing the emotional heft of her homespun tales of teen love and loss.
Those preoccupations remain to the fore, yet a creeping maturity is plain. On serene ballad Dear John, Swift wonders, "Don’t you think 19’s too young to be played by your dark, twisted games?", and later, on the spidery Innocent, she sighs, "It’s okay, life is a tough crowd". This is a more bruised writer than the young Juliet on Love Story. Last Kiss is heartbreaking ("You told me you loved me so why did you go… away?"), a lump in the throat to a music box waltz. Nestled amid all the love and regret, however, are sunburst pop nuggets like Never Grow Up and Enchanted that would brighten any daytime radio playlist. And on closer Long Live, personal reflections take on a more triumphant tone, a late shot of versatility that underlines Swift’s narrative skill.
Talent to burn has its own pitfalls, of course. At 14 songs – and most comfortably over four minutes – Speak Now is too long, and when you’ve heard half a dozen perky laments you’ve heard, well, quite a lot. Swift is less convincing too when practising a snarly edge on Better Than Revenge or letting rip with her overwrought inner Bonnie Tyler on Haunted, but these only jar because quality elsewhere is so high. With some judicious – let’s have it then – tailoring, this is a sparky and affecting record, moving Swift on at a stately and assured pace.
External Album Reviews
None...
User Comments
Available in:
Taylor Swift er debutalbumet til Taylor Swift, utgitt i 2006 av Big Machine Records. Albumet solgte i løpet av ett år hele 40 000 eksemplarer og fikk 6. plass på Billboard -lista.
User Album Review
They grow up so fast these days, don’t they? Having taken the lion’s share of the writing credits on 2008’s mammoth-selling Fearless, all of the songs on Taylor Swift’s new album are self-penned, betraying the sort of accomplishment that should keep her sitting pretty in the rock firmament for as long as she likes. Still only 20, that could be a mighty long time.
Although Nathan Chapman is still in the producer’s chair, there’s a perceptible, sonic move away from Nashville; the shift had clearly begun on Fearless, managing the crossover to the global mainstream with ease, but Speak Now plugs a sturdy marker in the pop-rock soil. On current single and terrific opening track Mine, the slide guitar is buried so deep in mix, it’s almost apologetic – or even a joke at the expense of Swift’s roots. But the twang in her voice is here to stay, somehow reinforcing the emotional heft of her homespun tales of teen love and loss.
Those preoccupations remain to the fore, yet a creeping maturity is plain. On serene ballad Dear John, Swift wonders, "Don’t you think 19’s too young to be played by your dark, twisted games?", and later, on the spidery Innocent, she sighs, "It’s okay, life is a tough crowd". This is a more bruised writer than the young Juliet on Love Story. Last Kiss is heartbreaking ("You told me you loved me so why did you go… away?"), a lump in the throat to a music box waltz. Nestled amid all the love and regret, however, are sunburst pop nuggets like Never Grow Up and Enchanted that would brighten any daytime radio playlist. And on closer Long Live, personal reflections take on a more triumphant tone, a late shot of versatility that underlines Swift’s narrative skill.
Talent to burn has its own pitfalls, of course. At 14 songs – and most comfortably over four minutes – Speak Now is too long, and when you’ve heard half a dozen perky laments you’ve heard, well, quite a lot. Swift is less convincing too when practising a snarly edge on Better Than Revenge or letting rip with her overwrought inner Bonnie Tyler on Haunted, but these only jar because quality elsewhere is so high. With some judicious – let’s have it then – tailoring, this is a sparky and affecting record, moving Swift on at a stately and assured pace.
External Album Reviews
None...
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