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Track List
01) Phresh Out the Runway
02) Diamonds
03) Numb
04) Pour It Up
05) Loveeeeeee Song
06) Jump
07) Right Now
08) What Now
09) Stay
10) Nobody's Business
11) Love Without Tragedy / Mother Mary
12) Get It Over With
13) No Love Allowed
14) Lost in Paradise
01) Phresh Out the Runway
02) Diamonds
03) Numb
04) Pour It Up
05) Loveeeeeee Song
06) Jump
07) Right Now
08) What Now
09) Stay
10) Nobody's Business
11) Love Without Tragedy / Mother Mary
12) Get It Over With
13) No Love Allowed
14) Lost in Paradise
3:42
3:45
3:25
2:41
4:16
4:24
3:01
4:03
4:00
3:36
6:58
3:31
4:09
3:35
Data Complete
80%
Total Rating
80%Total Rating
(5 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2012
Pop
In Love
Rock/Pop
---
Medium
Album
3,000,000 copies
Album Description
Available in:
Unapologetic est le septième album studio de la chanteuse barbadienne Rihanna, qui est sorti le 19 novembre 2012 sur le label Def Jam . Le premier single issu de ce septième album est Diamonds sorti le 26 septembre 2012. Pour promouvoir son album, une tournée est prévue, Diamonds World Tour qui commencera le 8 mars 2013, ainsi qu'une série de concerts promotionnels, le 777 Tour, une tournée en 7 concerts, dans 7 pays, en 7 jours. Dès sa sortie le 19 novembre, l'album se classe à la première place sur iTunes dans 7 pays4. L'album s'est vendu à 2 325 000 exemplaires dans le monde.
User Album Review
Unapologetic is Rihanna’s seventh album in as many years, and makes for a demanding listen. The "drunk workhorse" character of the Barbadian singer, who frequented previous albums in some capacity, is absent here.
Instead of anything cheeky or fun, this set is laced with the very real presence of someone using the spectacle of pop music to inadvertently condone abuse.
The Chris Brown duet, Nobody's Business, is inevitably the central attraction of this album. It’s a wonderfully light throwback to late-80s piano house; but its lyrics make the listener feel like an intruder. “You'll always be the one that I wanna come home to,” Rihanna sings, marching on down the aisle, caught up in Brown’s cooing response.
It’s not new for people to write songs about abusive relationships – recorded by the likes of Billie Holiday and Dinah Washington, the 1922 blues standard Ain’t Nobody’s Business explicitly addresses violence against women. But it is perhaps new for songwriters to be commissioned specifically for the task.
Bold production disguises some of the bad taste – but lines like “Like a bullet your love hit me to the core / I was flying ‘til you knocked me to the floor”, from No Love Allowed, are uncomfortably balanced between true love and awkward acrimony. And the mixture of emotions across Unapologetic just doesn’t sit right.
On What Now, Rihanna takes a look in the mirror and tells us that she doesn’t know how to cry. On Jump, she preaches that she won’t be chasing her ex; perhaps the Ginuwine sample and multipack of Chase & Status bass drops inhibit her conviction.
Throughout, the context and rancour can’t be shaken – but at least there’s clarity between Rihanna’s defiance on the club tracks and the heavy sadness in the ballads.
Maybe Unapologetic is proof that we should have more faith in young audiences’ reasoned understanding. Maybe it’s a hammering of the point that pop music shouldn’t shy away from real life’s sadness. But more realistically, Unapologetic seems to position Rihanna as a human being dragged headfirst into a breakdown, and somehow surviving it.
External Album Reviews
None...
User Comments
Available in:
Unapologetic est le septième album studio de la chanteuse barbadienne Rihanna, qui est sorti le 19 novembre 2012 sur le label Def Jam . Le premier single issu de ce septième album est Diamonds sorti le 26 septembre 2012. Pour promouvoir son album, une tournée est prévue, Diamonds World Tour qui commencera le 8 mars 2013, ainsi qu'une série de concerts promotionnels, le 777 Tour, une tournée en 7 concerts, dans 7 pays, en 7 jours. Dès sa sortie le 19 novembre, l'album se classe à la première place sur iTunes dans 7 pays4. L'album s'est vendu à 2 325 000 exemplaires dans le monde.
User Album Review
Unapologetic is Rihanna’s seventh album in as many years, and makes for a demanding listen. The "drunk workhorse" character of the Barbadian singer, who frequented previous albums in some capacity, is absent here.
Instead of anything cheeky or fun, this set is laced with the very real presence of someone using the spectacle of pop music to inadvertently condone abuse.
The Chris Brown duet, Nobody's Business, is inevitably the central attraction of this album. It’s a wonderfully light throwback to late-80s piano house; but its lyrics make the listener feel like an intruder. “You'll always be the one that I wanna come home to,” Rihanna sings, marching on down the aisle, caught up in Brown’s cooing response.
It’s not new for people to write songs about abusive relationships – recorded by the likes of Billie Holiday and Dinah Washington, the 1922 blues standard Ain’t Nobody’s Business explicitly addresses violence against women. But it is perhaps new for songwriters to be commissioned specifically for the task.
Bold production disguises some of the bad taste – but lines like “Like a bullet your love hit me to the core / I was flying ‘til you knocked me to the floor”, from No Love Allowed, are uncomfortably balanced between true love and awkward acrimony. And the mixture of emotions across Unapologetic just doesn’t sit right.
On What Now, Rihanna takes a look in the mirror and tells us that she doesn’t know how to cry. On Jump, she preaches that she won’t be chasing her ex; perhaps the Ginuwine sample and multipack of Chase & Status bass drops inhibit her conviction.
Throughout, the context and rancour can’t be shaken – but at least there’s clarity between Rihanna’s defiance on the club tracks and the heavy sadness in the ballads.
Maybe Unapologetic is proof that we should have more faith in young audiences’ reasoned understanding. Maybe it’s a hammering of the point that pop music shouldn’t shy away from real life’s sadness. But more realistically, Unapologetic seems to position Rihanna as a human being dragged headfirst into a breakdown, and somehow surviving it.
External Album Reviews
None...
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