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Track List
01) Communication
02) You're the Storm
03) A Good Horse
04) And Then You Kissed Me
05) Couldn't Care Less
06) Please Sister
07) For What It's Worth
08) Lead Me Into the Night
09) Live and Learn
10) Feathers and Down
11) 03.45: No Sleep
12) Hold Me (Mini version)
13) If There Is a Chance
01) Communication
02) You're the Storm
03) A Good Horse
04) And Then You Kissed Me
05) Couldn't Care Less
06) Please Sister
07) For What It's Worth
08) Lead Me Into the Night
09) Live and Learn
10) Feathers and Down
11) 03.45: No Sleep
12) Hold Me (Mini version)
13) If There Is a Chance
4:28
3:53
3:17
6:03
5:32
4:37
4:18
4:32
4:16
4:30
3:43
1:18
4:15
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2003
Alternative Rock
Intimate
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Long Gone Before Daylight é o quinto álbum da banda The Cardigans. Após um longo período desde o último álbum (1998, período no qual os membros da banda seguiram outros projetos), foi finalmente lançado no Japão no dia 19 de março de 2003 e na Europa em 24 de março. Foi lançado nos outros mercados no decorrer do ano. O álbum difere dos trabalhos anteriores da banda por não ter como característica a sonoridade pop "alegre" que deu lugar a uma influência country music.
Se trata de um disco mais "dark" que os anteriores, e mais quieto que o "rocker" Gran Turismo. A vocalista Nina Persson inclusive tingiu seus cabelos loiros para uma tonalidade negra, refletindo o clima da banda.
User Album Review
Nina Persson is very sad. She must be, because on Long Gone Before Daylight she's written 11 (13 if you've got the bonus tracks) of the most melancholy songs ever penned by a Cardigan. And it's a real shame.
To map The Cardigans route to success, they appeared in the early 90s from the Swedish fringes. They had their own quirky take on modern life, like being too dopey in the morning to remember where you've put your mug of coffee, and how this affects your whole day. Their notable ability to find the perfect place for a bassoon solo also made them stand out from the crowd.
Then they accidentally wrote one of the catchiest tunes in rock, "Lovefool", which, with its blend of ironic humour and desperation, landed them in the spotlight. Getting a taste for this commercial success, they went on to produce the poppy, rocky Gran Turismo which brought us that twanging guitar riff, in "Favourite Game", and stories of defiant mind changing.
If Long Gone Before Daylight demonstrates the Cardigans wanting to become more mainstream and commercial, it's not a good thing. Whilst the first two tracks are pretty upbeat, the lyrics throughout are not. The timely "You're The Storm" has Nina talking of being a country that needs conquering. Promising, perhaps, if not a little clichéd, but once the production has thinned out any kind of drama or aggression that could have existed in the chorus, it becomes a damp squib.
There are some lovely moments of instrumentation, like the opening fairground organ of "And Then You Kissed Me", and when Nina sings 'You hit me, really hard' you can feel it.
"Feathers And Down" is also a really well crafted and quite gorgeous song, but overall I think this is an album to listen to when you've had your heart broken. Otherwise, the poor me-ness of the situation can be a bit too much to bear. Perhaps I'm being mean, but a stronger range of emotions could have produced a wider range of dynamics and instrumentation. The Cardigans do hurt very well, but they can also do joy, anger and sarcasm. And I miss them.
External Album Reviews
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User Comments
Available in:
Long Gone Before Daylight é o quinto álbum da banda The Cardigans. Após um longo período desde o último álbum (1998, período no qual os membros da banda seguiram outros projetos), foi finalmente lançado no Japão no dia 19 de março de 2003 e na Europa em 24 de março. Foi lançado nos outros mercados no decorrer do ano. O álbum difere dos trabalhos anteriores da banda por não ter como característica a sonoridade pop "alegre" que deu lugar a uma influência country music.
Se trata de um disco mais "dark" que os anteriores, e mais quieto que o "rocker" Gran Turismo. A vocalista Nina Persson inclusive tingiu seus cabelos loiros para uma tonalidade negra, refletindo o clima da banda.
User Album Review
Nina Persson is very sad. She must be, because on Long Gone Before Daylight she's written 11 (13 if you've got the bonus tracks) of the most melancholy songs ever penned by a Cardigan. And it's a real shame.
To map The Cardigans route to success, they appeared in the early 90s from the Swedish fringes. They had their own quirky take on modern life, like being too dopey in the morning to remember where you've put your mug of coffee, and how this affects your whole day. Their notable ability to find the perfect place for a bassoon solo also made them stand out from the crowd.
Then they accidentally wrote one of the catchiest tunes in rock, "Lovefool", which, with its blend of ironic humour and desperation, landed them in the spotlight. Getting a taste for this commercial success, they went on to produce the poppy, rocky Gran Turismo which brought us that twanging guitar riff, in "Favourite Game", and stories of defiant mind changing.
If Long Gone Before Daylight demonstrates the Cardigans wanting to become more mainstream and commercial, it's not a good thing. Whilst the first two tracks are pretty upbeat, the lyrics throughout are not. The timely "You're The Storm" has Nina talking of being a country that needs conquering. Promising, perhaps, if not a little clichéd, but once the production has thinned out any kind of drama or aggression that could have existed in the chorus, it becomes a damp squib.
There are some lovely moments of instrumentation, like the opening fairground organ of "And Then You Kissed Me", and when Nina sings 'You hit me, really hard' you can feel it.
"Feathers And Down" is also a really well crafted and quite gorgeous song, but overall I think this is an album to listen to when you've had your heart broken. Otherwise, the poor me-ness of the situation can be a bit too much to bear. Perhaps I'm being mean, but a stronger range of emotions could have produced a wider range of dynamics and instrumentation. The Cardigans do hurt very well, but they can also do joy, anger and sarcasm. And I miss them.
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