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Track List
01) Plainsong
02) Pictures of You
03) Closedown
04) Lovesong 
05) Lullaby
06) Fascination Street
07) Prayers for Rain
08) The Same Deep Water as You
09) Disintegration
10) Untitled
01) Plainsong
02) Pictures of You
03) Closedown
04) Lovesong
05) Lullaby
06) Fascination Street
07) Prayers for Rain
08) The Same Deep Water as You
09) Disintegration
10) Untitled
5:16
7:28
4:21
3:31
4:12
5:17
6:07
9:23
8:24
6:30
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1989
Alternative Rock
Gritty
Rock/Pop
---
Medium
Album
3,000,000 copies
Album Description
Available in:
Disintegration ist das achte Studioalbum der englischenRockband The Cure , das am 2. Mai 1989 von Fiction Records veröffentlicht wurde . Die Band nahm das Albummit Co-Produzent David M. Allen in den Hookend Recording Studios in Checkendon, Oxfordshire auf.
Die Platte markiert eine Rückkehr zum introspektiven Gothic-Rock- Stil, den die Band in den frühen 1980er Jahren etabliert hatte. Als er auf die 30 zuging, verspürte Sänger und Gitarrist Robert Smith einen zunehmenden Druck, an die Pop- Erfolge der Band mit einem nachhaltigeren Werk anzuknüpfen . Dies, gepaart mit einer Abneigung gegen die neu gewonnene Popularität der Gruppe, führte dazu, dass Smith wieder in den Konsum halluzinogener Drogen verfiel , deren Wirkung einen starken Einfluss auf die Produktion des Albums hatte. Nach Abschluss des Mixes wurde Gründungsmitglied Lol Tolhurst aus der Band gefeuert.
Disintegration war das bis dahin erfolgreichste Album der Band und erreichte Platz drei der britischen Albumcharts und Platz 12 der US Billboard 200. Es brachte mehrere Hit-Singles hervor, darunter „ Lovesong “, das auf Platz zwei der Billboard Hot 100 landete . Es ist bis heute das meistverkaufte Album der Band, mit über vier Millionen verkauften Exemplaren weltweit. Es wurde von den Kritikern herzlich aufgenommen, bevor es später weithin gelobt wurde und unter anderem auf Platz 116 der Liste der „ 500 besten Alben aller Zeiten “ des Rolling Stone- Magazins landete . Stephen Thomas Erlewine von AllMusic nannte es den „Höhepunkt aller musikalischen Richtungen, die The Cure im Laufe der 80er Jahre verfolgten“.
(Wikipedia)
User Album Review
In one of music's longest and strangest careers, perhaps the most peculiar twist of all was that – after six years of bombarding the world with giddy, oddball pop – it was 1989's Disintegration which propelled The Cure to true global success. After all, this is an album of near relentless gloom, dark grey in texture and sprawlingly epic in structure. It's not exactly Automatic for the People.
Its three million sales can partly be put down to the ferocity of their 80s fanbase, but mostly to its singles. The sexual-revulsion nightmare of Lullaby was the strangest of the three, but its sticky strings and peculiar addictiveness smuggled it into the UK top five. Pictures of You was more conventional, a glorious widescreen epic which Bono would have eaten his firstborn to write, while the downbeat but insidious Lovesong (written for Robert Smith's new bride, surely the most sullen wedding gift in history) even wormed its way into the hearts and top two of the USA.
But the singles are like the prettily twinkling peaks of icebergs, and the gloomy power of Disintegration is truly revealed in the vast slabs of synth-soaked, spectrally dense introspection beneath. Opening with the whimpering, windswept loneliness of Plainsong, and taking in the snarling, bass-driven misanthropy of Fascination Street and the shuddering, incantatory misery of Prayers for Rain, Disintegration is like taking a long bath in someone else's despair, and finding it cathartically enjoyable.
It is, of course, a touchstone goth album, with its relentless death imagery, dramatic sweeps of synth and eight-minute drowning-metaphor symphonies; but such is its single mindedness of intent and vanquishing beauty that it somehow avoids risible self-indulgence. And at its very peak – in the unbearably sad, hypnotically shimmering lament of The Same Deep Water as You and the raging tour of emotional destruction that is the title-track – no other album has ever matched its morose magnificence.
This being a deluxe reissue, there are the obligatory demos, live versions and out-takes. But although it's interesting to see how fully developed songs like Prayers for Rain were before Smith even took them to his bandmates, and the madcap B side Out of Mind deserves another chance to be heard, none of the extras rival the terrible beauty of the main feature. A beauty which has only deepened with 21 years and the knowledge that Robert Smith would never again be as ambitious, inspired and creatively courageous.
External Album Reviews
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User Comments
Available in:
Disintegration ist das achte Studioalbum der englischenRockband The Cure , das am 2. Mai 1989 von Fiction Records veröffentlicht wurde . Die Band nahm das Albummit Co-Produzent David M. Allen in den Hookend Recording Studios in Checkendon, Oxfordshire auf.
Die Platte markiert eine Rückkehr zum introspektiven Gothic-Rock- Stil, den die Band in den frühen 1980er Jahren etabliert hatte. Als er auf die 30 zuging, verspürte Sänger und Gitarrist Robert Smith einen zunehmenden Druck, an die Pop- Erfolge der Band mit einem nachhaltigeren Werk anzuknüpfen . Dies, gepaart mit einer Abneigung gegen die neu gewonnene Popularität der Gruppe, führte dazu, dass Smith wieder in den Konsum halluzinogener Drogen verfiel , deren Wirkung einen starken Einfluss auf die Produktion des Albums hatte. Nach Abschluss des Mixes wurde Gründungsmitglied Lol Tolhurst aus der Band gefeuert.
Disintegration war das bis dahin erfolgreichste Album der Band und erreichte Platz drei der britischen Albumcharts und Platz 12 der US Billboard 200. Es brachte mehrere Hit-Singles hervor, darunter „ Lovesong “, das auf Platz zwei der Billboard Hot 100 landete . Es ist bis heute das meistverkaufte Album der Band, mit über vier Millionen verkauften Exemplaren weltweit. Es wurde von den Kritikern herzlich aufgenommen, bevor es später weithin gelobt wurde und unter anderem auf Platz 116 der Liste der „ 500 besten Alben aller Zeiten “ des Rolling Stone- Magazins landete . Stephen Thomas Erlewine von AllMusic nannte es den „Höhepunkt aller musikalischen Richtungen, die The Cure im Laufe der 80er Jahre verfolgten“.
(Wikipedia)
User Album Review
In one of music's longest and strangest careers, perhaps the most peculiar twist of all was that – after six years of bombarding the world with giddy, oddball pop – it was 1989's Disintegration which propelled The Cure to true global success. After all, this is an album of near relentless gloom, dark grey in texture and sprawlingly epic in structure. It's not exactly Automatic for the People.
Its three million sales can partly be put down to the ferocity of their 80s fanbase, but mostly to its singles. The sexual-revulsion nightmare of Lullaby was the strangest of the three, but its sticky strings and peculiar addictiveness smuggled it into the UK top five. Pictures of You was more conventional, a glorious widescreen epic which Bono would have eaten his firstborn to write, while the downbeat but insidious Lovesong (written for Robert Smith's new bride, surely the most sullen wedding gift in history) even wormed its way into the hearts and top two of the USA.
But the singles are like the prettily twinkling peaks of icebergs, and the gloomy power of Disintegration is truly revealed in the vast slabs of synth-soaked, spectrally dense introspection beneath. Opening with the whimpering, windswept loneliness of Plainsong, and taking in the snarling, bass-driven misanthropy of Fascination Street and the shuddering, incantatory misery of Prayers for Rain, Disintegration is like taking a long bath in someone else's despair, and finding it cathartically enjoyable.
It is, of course, a touchstone goth album, with its relentless death imagery, dramatic sweeps of synth and eight-minute drowning-metaphor symphonies; but such is its single mindedness of intent and vanquishing beauty that it somehow avoids risible self-indulgence. And at its very peak – in the unbearably sad, hypnotically shimmering lament of The Same Deep Water as You and the raging tour of emotional destruction that is the title-track – no other album has ever matched its morose magnificence.
This being a deluxe reissue, there are the obligatory demos, live versions and out-takes. But although it's interesting to see how fully developed songs like Prayers for Rain were before Smith even took them to his bandmates, and the madcap B side Out of Mind deserves another chance to be heard, none of the extras rival the terrible beauty of the main feature. A beauty which has only deepened with 21 years and the knowledge that Robert Smith would never again be as ambitious, inspired and creatively courageous.
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