Album Title
The Chemical Brothers
Artist Icon We Are the Night (2007)
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First Released

Calendar Icon 2007

Genre

Genre Icon Electronic

Mood

Mood Icon Rousing

Style

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Album Description
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We Are the Night is the sixth studio album by English big beat duo The Chemical Brothers, released on 27 June 2007. The record entered the UK Albums Chart at number 1 and debuted at number 65 on the Billboard 200. It was certified gold by the British Phonographic Industry.
The album won the Grammy Award for Best Electronic/Dance Album at the 50th Grammy Awards, making The Chemical Brothers the only artist to win this award more than once.
In June 2006, it was announced on their official website that The Chemical Brothers were working on material for a new album, then-codenamed "Chemical 6". Ed Simons of the duo was also quoted as saying that they would hope to "put a battle weapon out for the summer", a reference to their Electronic Battle Weapon series on white label.
"Electronic Battle Weapon 8" and "Electronic Battle Weapon 9" debuted on Pete Tong's BBC Radio 1 show on 8 December 2006. The two tracks were later released as a double A-sided vinyl record prior to The Chemical Brothers' New Year's Eve appearance at Turnmills in London. A version of "Electronic Battle Weapon 8" is featured on the We Are the Night album under the title "Saturate". At the same Turnmills appearance, the duo debuted a track at midnight to welcome the new year. This track was eventually released as "Burst Generator", found on the album.
The Chemical Brothers officially announced We Are the Night at their MySpace page on 21 March 2007. It suffered a delay in release due to an issue during production of the artwork. An online "old-skool" The Chemical Brothers computer game by EMI was subsequently released as an apology.
On 12 April 2007, Tong was again privileged to debut a track by The Chemical Brothers. The first single from the album, "Do It Again", aired on his Radio 1 "In New Music We Trust" show.
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User Album Review
Listening to the latest Chemical Brothers album is a dispiriting experience not a million miles from following the fortunes of England’s national football team.
Watching England play used to be exciting and rewarding. Punters could be assured of high standards and were almost always certain there were moments of brilliance on the way. Now everyone else has caught up but England haven’t improved.
The Chems have influenced massive swathes of modern music and particularly the UK’s dance scene, but now it’s difficult to be anything but apathetic.
Pop down the shop for a pie and you’ll practically get knocked over by a beat and bass disciple running back to their studio to work on a new loop. Simian, Calvin Harris, Dizzee Rascal and Groove Armada are all churning out high quality albums right across the genre and that’s before factoring in the likes of New Young Pony Club who straddle the indie/dance divide.
This being Tom and Ed Chemical (their real surnames are far too dull), WATN is not an unmitigated disaster.
The title track remarkably sounds like stars exploding and towards the end of the record are three ace tunes in a row. "Burst Generator", where synths explode into coruscating My Bloody Valentine waves of sound, is clearly this LP’s answer to "The Sunshine Underground" from the duo’s far superior Surrender album. But it remains to be seen if a band will name themselves after ”¦"Generator".
Immediately after this "A Modern Midnight Conversation" is much better than its shocking sixth-form art project title suggests and is almost 2007’s "I Feel Love". Giorgio Moroder would surely love the bassline. Finally, "Battle Scars" is a pleasing set of aural contrasts with gentle piano samples working well with a spoken poem and crisp breakbeats.
This top trio aside, WATN is something of an embarrassment for a pair that were masters of their art. Klaxons collaboration "All Rights Reversed" takes the worst of both bands and shunts them together, "Do It Again" is a sexless and joyless Kelis parody, "The Salmon Dance" is only slightly less annoying than getting hit by one in the face and "Saturated" is the sort of timid trance-edged guff that gives deep house a bad name.
Sadly, We Are The Night is only slightly less disappointing than an early and feeble World Cup exit.


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