Album Title
The Chemical Brothers
Artist Icon Push the Button (2005)
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6:33
4:08
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4:14
6:13
3:44
5:28
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6:03

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percentage bar 80%

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Back Cover
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First Released

Calendar Icon 2005

Genre

Genre Icon Electronic

Mood

Mood Icon Rousing

Style

Style Icon Electronic

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Tempo

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Release Format

Release Format Icon Album

Record Label Release

Speed Icon Virgin

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Album Description
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Push the Button is the fifth studio album by English big beat band The Chemical Brothers, first released in January 2005. It won the Grammy Award for Best Electronic/Dance Album in January 2006. It was certified gold by the BPI on 28 January 2005.

This album has been released with the Copy Control protection system in some regions.

Live 05 was released as a digital EP promoting the album on 29 November 2005. It was recorded live from their 2005 tour.
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User Album Review
The rallying cry inferred by the title of this album must be for the benefit of those who have missed the point all these years. With album number four the Chemical Brothers will surely persuade the remaining dozen or so people in the UK that don't like them that they are really rather good.
Prior to the release of this album we were teased as a dozen acetates of the acid tribal monster "It Began In Afrika" were leaked to the key players. Removing shrubs, laying concrete and generally paving the way for this album, "Afrika" conquered Ibiza, Notting Hill Carnival and contrived a craving amongst those with an affinity for a big, bouncy kick drum.
Come With Us delivers a further nine new tracks which elevate the Chemical's sound to a new vertex. The crunchy, slap bass and breakbeat swing of "Galaxy Bounce" motors out of "Afrika" and drifts in to the mighty, phased and diffused "Star Guitar".
Combining 'that beat' from "Planet Rock" and a sweet, Balearic hook "Hoops" does much to further the electro renaissance that seems to be rearing its retro, body popping head at the moment. The usual collaborative efforts take flight with Richard Ashcroft crooning for all he is worth on "The Test" and long term Brothers stalwart Beth Orton on the folky, psilocybin lament "The State We're In".
Production wise this album is less busy than previous releases - the ideas are given more space, allowing the variety and subtlety to do the work. Years ago Tom and Ed assured us 'the brother's gonna work it out'. If you've ever felt that they had yet to make good on this promise then, as far as Come With Us is concerned there was never a truer word spoken.


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