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Track List
01) Mamma Mia
02) Hey, Hey Helen
03) Tropical Loveland
04) S.O.S.
05) Man in the Middle
06) Bang-A-Boomerang
07) I Do, I Do, I Do, I Do, I Do
08) Rock Me
09) Intermezzo No. 1
10) I've Been Waiting for You
11) So Long
01) Mamma Mia
02) Hey, Hey Helen
03) Tropical Loveland
04) S.O.S.
05) Man in the Middle
06) Bang-A-Boomerang
07) I Do, I Do, I Do, I Do, I Do
08) Rock Me
09) Intermezzo No. 1
10) I've Been Waiting for You
11) So Long
3:34
3:18
3:06
3:23
3:03
3:04
3:18
3:06
3:47
3:42
3:07
Data Complete
80%
Total Rating
80%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1975
Pop
Cheerful
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
ABBA est le troisième album du groupe éponyme, sorti en 1975.
Après le succès rencontré par le groupe lors du concours Eurovision de la chanson de 1974, cet album permettra au groupe de confirmer sa reconnaissance mondiale avec des titres comme I Do, I Do, I Do, I Do, I Do (en tête des charts en Australie), Mamma Mia ou SOS (qui devient un hit aux États-Unis et au Royaume-Uni).
User Album Review
In April 1975, ABBA were worried that the heady days were over. Waterloo, their song about one girl's surrender in the battle of love, had won the Eurovision Contest 12 long months earlier. Reviews of the group had been positive – even Rolling Stone had said they were putting “new life into... cartoon pop” – but recent UK singles had flopped, and tours were not selling out.
Time then, for a difficult third album featuring reggae, prog, rock and funk, and somewhere in the middle, a giddy SOS. “Here I go again,” the first track begins. How could we resist them?
At first, it's odd to think that this was the album that broke Sweden's biggest band. ABBA dashes from genre to genre, but has a few massive hits in the middle. Mamma Mia is now so familiar it's like a nursery rhyme. That chirpy marimba and that chorus – the hooks keeping coming and coming – are now a vital part of pop's DNA.
Inside them, we find one of ABBA's trademark sad, layered stories, bubbly and joyous to the ear, but full of darker details about “slammed doors”, and an “angry and sad” woman that's “not that strong”. Lyrical depth and shiny surfaces: here are ABBA, early on, refining their magical formula.
This gets repeated elsewhere, with mixed results. Hey, Hey Helen begins with crunchy guitars before shocking with the tale of a woman that's left her husband and children. Bang-A-Boomerang and I Do, I Do, I Do, I Do, I Do stick to bouncier pop, the former brimming with advice about compromise within marriage, the latter using the wedding declaration to mask lyrics teeming with insecurity.
Then they play with sound. Tropical Loveland's pop-reggae crossover shows forward-thinking but little in way of fabulousness; Intermezzo No 1's Yes-style synth-opus is ridiculous, but occasionally rewarding. Rock Me's late entry into the glam canon suits the band better, Björn's screechin'-and-a-squealin' providing particular pleasures.
ABBA-doubters will be pleasantly surprised to find the band's desire to experiment here. If that's you, breathe deep and plunge into their back catalogue – there's plenty more depth to explore. Long-term fans will enjoy the accompanying DVD, and be reminded of an interesting juncture in the quartet's career. As they tilted between failure and success, they threw everything into the mix. Before long, they would have the whole world in front of them.
External Album Reviews
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User Comments
Available in:
ABBA est le troisième album du groupe éponyme, sorti en 1975.
Après le succès rencontré par le groupe lors du concours Eurovision de la chanson de 1974, cet album permettra au groupe de confirmer sa reconnaissance mondiale avec des titres comme I Do, I Do, I Do, I Do, I Do (en tête des charts en Australie), Mamma Mia ou SOS (qui devient un hit aux États-Unis et au Royaume-Uni).
User Album Review
In April 1975, ABBA were worried that the heady days were over. Waterloo, their song about one girl's surrender in the battle of love, had won the Eurovision Contest 12 long months earlier. Reviews of the group had been positive – even Rolling Stone had said they were putting “new life into... cartoon pop” – but recent UK singles had flopped, and tours were not selling out.
Time then, for a difficult third album featuring reggae, prog, rock and funk, and somewhere in the middle, a giddy SOS. “Here I go again,” the first track begins. How could we resist them?
At first, it's odd to think that this was the album that broke Sweden's biggest band. ABBA dashes from genre to genre, but has a few massive hits in the middle. Mamma Mia is now so familiar it's like a nursery rhyme. That chirpy marimba and that chorus – the hooks keeping coming and coming – are now a vital part of pop's DNA.
Inside them, we find one of ABBA's trademark sad, layered stories, bubbly and joyous to the ear, but full of darker details about “slammed doors”, and an “angry and sad” woman that's “not that strong”. Lyrical depth and shiny surfaces: here are ABBA, early on, refining their magical formula.
This gets repeated elsewhere, with mixed results. Hey, Hey Helen begins with crunchy guitars before shocking with the tale of a woman that's left her husband and children. Bang-A-Boomerang and I Do, I Do, I Do, I Do, I Do stick to bouncier pop, the former brimming with advice about compromise within marriage, the latter using the wedding declaration to mask lyrics teeming with insecurity.
Then they play with sound. Tropical Loveland's pop-reggae crossover shows forward-thinking but little in way of fabulousness; Intermezzo No 1's Yes-style synth-opus is ridiculous, but occasionally rewarding. Rock Me's late entry into the glam canon suits the band better, Björn's screechin'-and-a-squealin' providing particular pleasures.
ABBA-doubters will be pleasantly surprised to find the band's desire to experiment here. If that's you, breathe deep and plunge into their back catalogue – there's plenty more depth to explore. Long-term fans will enjoy the accompanying DVD, and be reminded of an interesting juncture in the quartet's career. As they tilted between failure and success, they threw everything into the mix. Before long, they would have the whole world in front of them.
External Album Reviews
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