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Track List
01) Life in Technicolor
02) Cemeteries of London
03) Lost!
04) 42
05) Lovers in Japan / Reign of Love
06) Yes / Chinese Sleep Chant
07) Viva la Vida
08) Violet Hill
09) Strawberry Swing
10) Death and All His Friends / The Escapist
01) Life in Technicolor
02) Cemeteries of London
03) Lost!
04) 42
05) Lovers in Japan / Reign of Love
06) Yes / Chinese Sleep Chant
07) Viva la Vida
08) Violet Hill
09) Strawberry Swing
10) Death and All His Friends / The Escapist
2:29
3:21
3:55
3:57
6:51
7:06
4:01
3:42
4:09
6:18
Data Complete
90%
Total Rating
90%Total Rating
(5 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2008
Pop-Rock
Relaxed
Rock/Pop
---
Medium
Album
10,000,000 copies
Album Description
Available in:
Viva la vida or Death and All His Friends est le quatrième album de Coldplay sorti le 12 juin 2008 au Royaume-Uni, le 13 juin en Suisse, le 16 juin en France et le 17 juin au Canada. Il s'agit de l'album le plus vendu dans le monde en 2008 avec 6,6 millions de copies vendues. En février 2009, Coldplay avait vendu 7 millions de copies.
User Album Review
Paradoxically everything that fuels cynicism about the stadium-proof nature of Coldplay is also what makes them undeniably great. Yes, if you find huge choruses that contain wordless exhortations, ponderous one note bass lines and vaporous lyrics that convey nameless heartache to be the very tools of Satan, then Viva La Vida has much to wind you up. If, however, you're one of their millions of fans then it's an unqualified triumph. The rest of us (and EMI, for whom, allegedly, their very future depends on this selling by the shedload) can also rest easy. For, by bringing Brian Eno onboard as sonic nurse, Coldplay have managed to effortlessly make a record that's accomplished and yet pulls off the same trick that U2 managed when they employed the bald one - massaging their sound into something different enough to keep the formula (and make no mistake it IS a formula) fresh.
Two years in gestation, with a break in the middle to do a bit of cultural tourism (and touring) in South America, Viva La Vida wrong foots you by starting with Life In Technicolour; an instrumental that reeks of Eno's ambience while also utilising something that sounds suspiciously like a zither. The world music tropes are limited however. Cemeteries Of London may have an off-kilter rhythmic undertow and Lost! seems to sport bongos in its mix, yet it's the plaintive voice with its vague sense of regret, the lifts from minor key piano forays into vast, pumping rock and also a strident optimism that people are going to come here for. The band deliver all this in spades: 42 and Death And All His Friends most notably.
Elsewhere it's that patent (and potent) mix of upbeat and fatalistic that reminds you why the band hit the bullseye every time. Only on Strawberry Swing does Chris' chirpiness start to grate.
It all sounds so easy, yet when you imagine the pressure on all concerned to deliver the goods, it's little short of miraculous. Again, cynics may argue that it's Eno's fourth world fairy dust that sugar coats songs that really don't live up to Martin's promise of a very different sound. The string/brass mutations that bolster a track like Viva La Vida may not be a million miles from his mates, The Arcade Fire, but I bet they'd donate several limbs to conjure tunes so sweetly melancholy. Any way you look at it, this is a massive album. Get used to it, you'll be hearing it a LOT over the next two years.
External Album Reviews
None...
User Comments
Available in:
Viva la vida or Death and All His Friends est le quatrième album de Coldplay sorti le 12 juin 2008 au Royaume-Uni, le 13 juin en Suisse, le 16 juin en France et le 17 juin au Canada. Il s'agit de l'album le plus vendu dans le monde en 2008 avec 6,6 millions de copies vendues. En février 2009, Coldplay avait vendu 7 millions de copies.
User Album Review
Paradoxically everything that fuels cynicism about the stadium-proof nature of Coldplay is also what makes them undeniably great. Yes, if you find huge choruses that contain wordless exhortations, ponderous one note bass lines and vaporous lyrics that convey nameless heartache to be the very tools of Satan, then Viva La Vida has much to wind you up. If, however, you're one of their millions of fans then it's an unqualified triumph. The rest of us (and EMI, for whom, allegedly, their very future depends on this selling by the shedload) can also rest easy. For, by bringing Brian Eno onboard as sonic nurse, Coldplay have managed to effortlessly make a record that's accomplished and yet pulls off the same trick that U2 managed when they employed the bald one - massaging their sound into something different enough to keep the formula (and make no mistake it IS a formula) fresh.
Two years in gestation, with a break in the middle to do a bit of cultural tourism (and touring) in South America, Viva La Vida wrong foots you by starting with Life In Technicolour; an instrumental that reeks of Eno's ambience while also utilising something that sounds suspiciously like a zither. The world music tropes are limited however. Cemeteries Of London may have an off-kilter rhythmic undertow and Lost! seems to sport bongos in its mix, yet it's the plaintive voice with its vague sense of regret, the lifts from minor key piano forays into vast, pumping rock and also a strident optimism that people are going to come here for. The band deliver all this in spades: 42 and Death And All His Friends most notably.
Elsewhere it's that patent (and potent) mix of upbeat and fatalistic that reminds you why the band hit the bullseye every time. Only on Strawberry Swing does Chris' chirpiness start to grate.
It all sounds so easy, yet when you imagine the pressure on all concerned to deliver the goods, it's little short of miraculous. Again, cynics may argue that it's Eno's fourth world fairy dust that sugar coats songs that really don't live up to Martin's promise of a very different sound. The string/brass mutations that bolster a track like Viva La Vida may not be a million miles from his mates, The Arcade Fire, but I bet they'd donate several limbs to conjure tunes so sweetly melancholy. Any way you look at it, this is a massive album. Get used to it, you'll be hearing it a LOT over the next two years.
External Album Reviews
None...
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