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"Ten Miles High" is a song from Irish singer Róisín Murphy's fourth studio album Take Her Up to Monto (2016). The release was accompanied by a self-directed music video.
"Having gone from talented on-screen performer to promising music video director with her last album, the Mercury Prize-nominated Hairless Toys, now Róisín Murphy takes things to the next level. Róisín's video for Ten Miles High, from the forthcoming LP Take Her Up To Monto, adopts a very different tack to the acclaimed videos from Hairless Toys, which were all inspired by the work of great directors of world cinema. This time her canvas is modern London, and operating like a guerilla-video artist, she performs the track in a variety of public spaces in central London, and the City - and mainly on the Tube. Róisín also brings her highly developed sense of style to everyday London, but most strikingly – and appropriately, at a time when central London mostly resembles a building site – she's usually wearing the ubiquitous uniform of the Crossrail construction worker, blending seamlessly in with her environment. And the strangeness of this video art experiment is enhanced by virtually every image itself being manipulated in post in some way." (David Knight, Promonews)
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"Ten Miles High" is a song from Irish singer Róisín Murphy's fourth studio album Take Her Up to Monto (2016). The release was accompanied by a self-directed music video.
"Having gone from talented on-screen performer to promising music video director with her last album, the Mercury Prize-nominated Hairless Toys, now Róisín Murphy takes things to the next level. Róisín's video for Ten Miles High, from the forthcoming LP Take Her Up To Monto, adopts a very different tack to the acclaimed videos from Hairless Toys, which were all inspired by the work of great directors of world cinema. This time her canvas is modern London, and operating like a guerilla-video artist, she performs the track in a variety of public spaces in central London, and the City - and mainly on the Tube. Róisín also brings her highly developed sense of style to everyday London, but most strikingly – and appropriately, at a time when central London mostly resembles a building site – she's usually wearing the ubiquitous uniform of the Crossrail construction worker, blending seamlessly in with her environment. And the strangeness of this video art experiment is enhanced by virtually every image itself being manipulated in post in some way." (David Knight, Promonews)
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Electronic 
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Rock/Pop 
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299 (3%)
Good Egg
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