Grip Inc. - 3D Cover | TheAudioDB.com

Artist Name
Grip Inc.

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Incorporated (2004)	Solidify (1999)	Nemesis (1997)
Power of Inner Strength (1995)

Members
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3 Male

Origin
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Los Angeles, California

Genre
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Thrash Metal

Style
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Metal

Mood
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Born

born icon 1993

Active
1993 to Present...

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Most Loved Tracks
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Grip Inc. - Hostage to Heaven
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Grip Inc. - Pathetic Liar
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Grip Inc. - Ostracized
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Grip Inc. - Savage Seas (Retribution)
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Grip Inc. - Rusty Nail

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Artist Biography
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Grip Inc. is a groove metal band and side project of drummer Dave Lombardo. The band was formed in 1993, and are signed to SPV Records. The band has been on and off since it formed, although its future is uncertain due to drummer Dave Lombardo's other music projects and the death of frontman Gus Chambers.

Following the birth of his first child in 1993, Lombardo formed Grip Inc. with Voodoocult guitarist Waldemar Sorychta.

The pair recruited bassist Jason Viebrooks and vocalist Gus Chambers to complete the line-up, releasing their debut record in 1995. Entitled Power of Inner Strength, the album was distributed via California-based label Metal Blade Records.

Prior to the album's release Lombardo described leaving Slayer as a career low, because he did not know what type of music to play. Allmusic reviewer Vincent Jeffries singled out Lombardo for praise on the album, remarking that Slayer fans "will enjoy the drummer's double bass work and overall aggression throughout the disc." Sorychta asserts critics and music fans always spot mistakes in their music, because of Lombardo's popularity with Slayer – expecting the band to sound like Slayer and complain. However, when Lombardo uses the double bass drum, Sorychta asserted people complain "now Grip Inc. sound exactly like Slayer."

The band released Nemesis in 1997; Jeffries praised Lombardo's "crushing drum work" which takes center stage on the album. Bassist Viebrooks left the band and was replaced by Stuart Carruthers in 1997. With a new bassist, the band released Solidify in 1999, which was described as a step towards "progressive and exotic rhythms, structures, and instrumentations, while never compromising intensity" by Jeffries.