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Track List
01) Luckie
02) Lu
03) Sweet Blindness
04) Poverty Train
05) Lonely Women
06) Eli's Comin'
07) Timer
08) Stoned Soul Picnic
09) Emmie
10) Woman's Blues
11) Once It Was Alright Now (Farmer Joe)
12) December's Boudoir
13) The Confession
01) Luckie
02) Lu
03) Sweet Blindness
04) Poverty Train
05) Lonely Women
06) Eli's Comin'
07) Timer
08) Stoned Soul Picnic
09) Emmie
10) Woman's Blues
11) Once It Was Alright Now (Farmer Joe)
12) December's Boudoir
13) The Confession
3:03
2:47
2:42
4:21
3:36
4:00
3:26
3:50
4:24
3:48
3:01
5:10
2:49
Data Complete
40%
Total Rating
40%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1968
Singer Songwriter
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Album
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Album Description
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Eli and the Thirteenth Confession is the second album by New York City-born singer, songwriter, and pianist Laura Nyro, released in 1968.
Nyro premiered some of the songs that were to appear on the album at the 1967 Monterey Pop Festival. The song "Luckie" was derived from an earlier composition Nyro had played at her audition for Verve Records in 1966. Before she signed to Columbia Records, Verve had already planned to release the album, under the title Soul Picnic. The album saw its actual release in 1968 on the Columbia label and became one of the year's underground successes. The album was written entirely by Nyro, arranged by Charlie Calello and produced by both.
The front cover was taken by Bob Cato. Writer Michele Kort said that Nyro resembled a "dark Madonna with luxuriant red lips."The back cover is a black-and-white silhouetted photo of Nyro kissing the head of what appears to be her younger self. According to Nyro, she was "kissing seventeen years of her life—her childhood—goodbye."On Nyro's insistence, the album's lyric sheet was printed with perfumed ink, and Kort wrote in 2002 that it still maintained a pleasant scent.
The album's themes are of passion, love, romance, death, and drugs, and the songs are delivered in Nyro's distinctive brash, belting vocals. Musically, it is a multi-layered and opulent work, including multi-tracked vocals and strings. The album's loose genre is pop, but it also incorporates elements of soul, gospel, jazz, and rock.
It is generally considered to be Nyro's most accessible and most famous work, although it is arguably not the most commercially successful or critically favored (both honors go to the follow-up, New York Tendaberry). The album was her first chart entry, reaching No. 181 on the Billboard 200, when it was known as "Pop Albums." In the February 2016 issue of UNCUT magazine it was rated in the 100 Greatest Albums of All Time. Many musicians, including Elton John and Todd Rundgren were directly influenced by the album and bandleader Paul Shaffer told CBC Television's George Stroumboulopoulos that he considers this album to be his one "desert island record".
The album is second only to its predecessor, 1967's More Than a New Discovery, in producing hit songs for other artists. Three Dog Night took "Eli's Comin'" to US No. 10, while The 5th Dimension went to US No. 3 with "Stoned Soul Picnic" and US No. 13 with "Sweet Blindness".
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Available in:
Eli and the Thirteenth Confession is the second album by New York City-born singer, songwriter, and pianist Laura Nyro, released in 1968.
Nyro premiered some of the songs that were to appear on the album at the 1967 Monterey Pop Festival. The song "Luckie" was derived from an earlier composition Nyro had played at her audition for Verve Records in 1966. Before she signed to Columbia Records, Verve had already planned to release the album, under the title Soul Picnic. The album saw its actual release in 1968 on the Columbia label and became one of the year's underground successes. The album was written entirely by Nyro, arranged by Charlie Calello and produced by both.
The front cover was taken by Bob Cato. Writer Michele Kort said that Nyro resembled a "dark Madonna with luxuriant red lips."The back cover is a black-and-white silhouetted photo of Nyro kissing the head of what appears to be her younger self. According to Nyro, she was "kissing seventeen years of her life—her childhood—goodbye."On Nyro's insistence, the album's lyric sheet was printed with perfumed ink, and Kort wrote in 2002 that it still maintained a pleasant scent.
The album's themes are of passion, love, romance, death, and drugs, and the songs are delivered in Nyro's distinctive brash, belting vocals. Musically, it is a multi-layered and opulent work, including multi-tracked vocals and strings. The album's loose genre is pop, but it also incorporates elements of soul, gospel, jazz, and rock.
It is generally considered to be Nyro's most accessible and most famous work, although it is arguably not the most commercially successful or critically favored (both honors go to the follow-up, New York Tendaberry). The album was her first chart entry, reaching No. 181 on the Billboard 200, when it was known as "Pop Albums." In the February 2016 issue of UNCUT magazine it was rated in the 100 Greatest Albums of All Time. Many musicians, including Elton John and Todd Rundgren were directly influenced by the album and bandleader Paul Shaffer told CBC Television's George Stroumboulopoulos that he considers this album to be his one "desert island record".
The album is second only to its predecessor, 1967's More Than a New Discovery, in producing hit songs for other artists. Three Dog Night took "Eli's Comin'" to US No. 10, while The 5th Dimension went to US No. 3 with "Stoned Soul Picnic" and US No. 13 with "Sweet Blindness".
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