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Track List
01) Madame Psychosis
02) Whipping Sigils
03) Too Late
04) The Sickness Unto Death
05) River of Sleep
06) Séance
07) The Veil
08) Dark Desires
09) Vanitas
10) The Sphinx
01) Madame Psychosis
02) Whipping Sigils
03) Too Late
04) The Sickness Unto Death
05) River of Sleep
06) Séance
07) The Veil
08) Dark Desires
09) Vanitas
10) The Sphinx
5:42
4:15
3:39
4:50
3:49
2:30
5:34
4:39
6:10
3:38
Data Complete
40%
Total Rating
40%Total Rating
(0 users)
Back Cover
CD Art
3D Case
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3D Flat
3D Face
3D Spine
First Released
2016
Heavy Metal
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Medium
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Looming into the darker quarters of the consciousness like some gloriously nightmarish analgam of the mystical ambience of the ‘70s and the jagged attack of the ‘80s, For None And All makes no secrets of the classics that have informed its feverish drive, yet Mesmer insists that the band see themselves as a contemporary beast. “Although obviously we love 70’s bands and idealize a time when rock ‘n roll could be loud and weird and unique and experimental without being so self-conscious, we don’t consider ourselves to be a throwback or pastiche act in any way” Indeed, whilst the discerning listener will be able to hear traces of the mystical aura of Blue Öyster Cult and the seductive contortions of King Crimson and Rush on For None And All, and also the malevolent and righteous bravura that Judas Priest and Scorpions made manifest throughout the ages, what Spell excel in more so is a suspension of disbelief that transforms these infectious psychodramas and tales of the supernatural into a turbulent and tempestuous psychic shockwave that raises pulse-rates as easily as it haunts the dreams.
“If there’s a horror element to our sound, it’s because the world is a horrifying (and wonderful) place” reckons Mesmer. “We all struggle to find ways to nail down some meaning or rationalization to explain why we’re here suffering, but I don’t really believe in this. Existing is terrifying – be terrified, and love that terror.” Make no mistake, this is a band with a formidable grasp on their chosen metier, and their self-styled ‘hypnotising heavy metal – as chronicled on For None And All – is a delirious and life-affirming elixir indeed.
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Looming into the darker quarters of the consciousness like some gloriously nightmarish analgam of the mystical ambience of the ‘70s and the jagged attack of the ‘80s, For None And All makes no secrets of the classics that have informed its feverish drive, yet Mesmer insists that the band see themselves as a contemporary beast. “Although obviously we love 70’s bands and idealize a time when rock ‘n roll could be loud and weird and unique and experimental without being so self-conscious, we don’t consider ourselves to be a throwback or pastiche act in any way” Indeed, whilst the discerning listener will be able to hear traces of the mystical aura of Blue Öyster Cult and the seductive contortions of King Crimson and Rush on For None And All, and also the malevolent and righteous bravura that Judas Priest and Scorpions made manifest throughout the ages, what Spell excel in more so is a suspension of disbelief that transforms these infectious psychodramas and tales of the supernatural into a turbulent and tempestuous psychic shockwave that raises pulse-rates as easily as it haunts the dreams.
“If there’s a horror element to our sound, it’s because the world is a horrifying (and wonderful) place” reckons Mesmer. “We all struggle to find ways to nail down some meaning or rationalization to explain why we’re here suffering, but I don’t really believe in this. Existing is terrifying – be terrified, and love that terror.” Make no mistake, this is a band with a formidable grasp on their chosen metier, and their self-styled ‘hypnotising heavy metal – as chronicled on For None And All – is a delirious and life-affirming elixir indeed.
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