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Track List
01) Songs for Judy (intro)
02) Too Far Gone
03) No One Seems to Know
04) Heart of Gold
05) White Line
06) Love Is a Rose
07) After the Gold Rush
08) Human Highway
09) Tell Me Why
10) Mr. Soul
11) Mellow My Mind
12) Give Me Strength
13) A Man Needs a Maid
14) Roll Another Number
15) Journey Through the Past
16) Harvest
17) Campaigner
18) Old Laughing Lady
19) The Losing End
20) Here We Are in the Years
21) The Needle and the Damage Done
22) Pocahontas
23) Sugar Mountain
01) Songs for Judy (intro)
02) Too Far Gone
03) No One Seems to Know
04) Heart of Gold
05) White Line
06) Love Is a Rose
07) After the Gold Rush
08) Human Highway
09) Tell Me Why
10) Mr. Soul
11) Mellow My Mind
12) Give Me Strength
13) A Man Needs a Maid
14) Roll Another Number
15) Journey Through the Past
16) Harvest
17) Campaigner
18) Old Laughing Lady
19) The Losing End
20) Here We Are in the Years
21) The Needle and the Damage Done
22) Pocahontas
23) Sugar Mountain
3:25
3:14
2:29
2:53
2:45
2:20
4:15
3:04
3:34
3:06
2:29
3:27
4:53
2:22
3:17
2:42
3:30
5:18
3:51
3:56
2:26
3:49
6:08
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Folk
Philosophical
Folk
---
Medium
Live
0 copies
Album Description
Available in:
Neil Young had a turbulent 1976. Still digging himself out of the dark period that produced his "Ditch Trilogy" -- the weird, gnarled records he made when he decided to steer away from the middle of the road that was a possible tributary from the success of "Heart of Gold" -- Young began to see a new dawn on Zuma, a 1975 reunion with Crazy Horse. Not long after its release, Young reunited with his old Buffalo Springfield bandmate Stephen Stills to record Long May You Run, an album credited to the Stills-Young Band, but this union proved to be short-lived. Young ditched Stills a month into their tour, headed back to California to record an acoustic album called Hitchhiker, which he decided not to release. Instead, he took Crazy Horse out that November, acting as his own opening act via an acoustic set that preceded the electric blowout.
Released 42 years after that November jaunt, Songs for Judy collects 23 highlights curated by journalist Cameron Crowe and photographer Joel Bernstein, who tagged along on the tour. Bernstein recorded the concerts for his own pleasure and that provides the source material for Songs for Judy. What's striking about these performances is how loose and relaxed -- even happy -- Young seems. A far cry from the haunted, hazy Hitchhiker, Songs for Judy is spry and sly, the songs sounding charged and muscular even when they're sung with no greater support than an acoustic guitar (and, on occasion, an organ). Young cracks jokes and sings with vigor, alternating between staples from his songbooks and test-driving new tunes. Among the latter is "White Line," which later showed up on 1990's Ragged Glory, and "No One Seems to Know," which sees its first official release on this album. That alone makes Songs for Judy of interest for Young diehards, but what really makes this collection worthwhile is how these robust performances put the lie to the notion that acoustic Neil is sad, sensitive Neil.
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Available in:
Neil Young had a turbulent 1976. Still digging himself out of the dark period that produced his "Ditch Trilogy" -- the weird, gnarled records he made when he decided to steer away from the middle of the road that was a possible tributary from the success of "Heart of Gold" -- Young began to see a new dawn on Zuma, a 1975 reunion with Crazy Horse. Not long after its release, Young reunited with his old Buffalo Springfield bandmate Stephen Stills to record Long May You Run, an album credited to the Stills-Young Band, but this union proved to be short-lived. Young ditched Stills a month into their tour, headed back to California to record an acoustic album called Hitchhiker, which he decided not to release. Instead, he took Crazy Horse out that November, acting as his own opening act via an acoustic set that preceded the electric blowout.
Released 42 years after that November jaunt, Songs for Judy collects 23 highlights curated by journalist Cameron Crowe and photographer Joel Bernstein, who tagged along on the tour. Bernstein recorded the concerts for his own pleasure and that provides the source material for Songs for Judy. What's striking about these performances is how loose and relaxed -- even happy -- Young seems. A far cry from the haunted, hazy Hitchhiker, Songs for Judy is spry and sly, the songs sounding charged and muscular even when they're sung with no greater support than an acoustic guitar (and, on occasion, an organ). Young cracks jokes and sings with vigor, alternating between staples from his songbooks and test-driving new tunes. Among the latter is "White Line," which later showed up on 1990's Ragged Glory, and "No One Seems to Know," which sees its first official release on this album. That alone makes Songs for Judy of interest for Young diehards, but what really makes this collection worthwhile is how these robust performances put the lie to the notion that acoustic Neil is sad, sensitive Neil.
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