Album Title
Devin Townsend
Artist Icon Empath (2019)
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First Released

Calendar Icon 2019

Genre

Genre Icon Metal

Mood

Mood Icon Cheerful

Style

Style Icon Metal

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Release Format

Release Format Icon Album

Record Label Release

Speed Icon InsideOut Music

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Album Description
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Canadian heavy music artist Devin Townsend has recently announced the release of his forthcoming new album ‘EMPATH’ for the 29th March 2019.
Over the past few years, the success that Devin has slowly worked for has fortunately come with the power to control his own creative destiny. The recent successes with the DVD from a sold-out Royal Albert hall, or his 2012 ‘Retinal Circus’, or last year’s ‘Ocean Machine’ live DVD with the Orchestra and Choir of State Opera Plovdiv has put him in a position where with the new album ‘EMPATH’, he will once and for all define himself as a musical force outside of any particular genre classification.
On this album Devin has decided to see what would happen if all the styles that make up his current interests were finally represented in one place. To finally shake the fear of expectation, and just do what it is he was meant to do creatively, EMPATH, true to the name, is about allowing the audience a feeling for a variety of musical emotions. The musical dynamics represented on this single album are broad, challenging, and immense. To approach this sort of work with a long history of what makes heavy music ‘heavy’, allows this to be done with a type of power rarely heard.
Joining Devin on this album is Frank Zappa alumni Mike Keneally as music director, as well as Morgan Ågren (Mats And Morgan, Frank Zappa, Fredrik Thordendal), Anup Sastry (Monuments, Periphery), Samus Paulicelli (Decrepit Birth, Abigail Williams), Nathan Navarro, Elliot Desagnes, Steve Vai, Chad Kroeger, Anneke Van Giersbergen, Ché Aimee Dorval, Ryan Dhale and the Elektra Women’s Choir.
A bold statement with massive production values and dynamic, uncompromised musicality. This is a statement about not only pursuing creative freedom in a conservative scene, but also trying to show that heavy music is truly a valid musical tool.
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