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Track List
01) Dancing queen
02) Gimme! Gimme! Gimme! (A man after midnight)
03) The name of the game
04) SOS
05) Waterloo
06) Mamma mia
07) Chiquitita
08) Fernando
09) The winner takes it all
10) One of us
01) Dancing queen
02) Gimme! Gimme! Gimme! (A man after midnight)
03) The name of the game
04) SOS
05) Waterloo
06) Mamma mia
07) Chiquitita
08) Fernando
09) The winner takes it all
10) One of us
3:43
4:11
4:49
3:23
2:53
3:34
5:14
3:59
4:32
3:54
Data Complete
90%
Total Rating
90%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Pop
Gritty
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
"Dancing Queen" est un album de reprises et le vingt-sixième album studio de la chanteuse et actrice américaine Cher, publié par Warner Bros. Records le 28 septembre 2018. Il s'agit du premier album de Cher en cinq ans, après Closer to the Truth (2013). L'album contient des reprises de chansons enregistrées par le groupe pop suédois ABBA, le titre faisant référence à leur chanson de 1976 "Dancing Queen". L'album fait suite à l'apparition de Cher dans le film musical Mamma Mia ! Here We Go Again, basé sur la musique d'ABBA.
L'album a été acclamé par la plupart des critiques musicaux et a été un succès commercial, débutant à la troisième place du Billboard 200 américain avec des ventes de 153 000 unités la première semaine, devenant la semaine de ventes la plus élevée de Cher pour un album aux États-Unis. Dancing Queen a également été classé numéro un du Top Album Sales aux États-Unis, avec 150 000 exemplaires vendus, ce qui en fait le premier album de Cher à être classé numéro un dans ce classement.
User Album Review
Dancing Queen, Cher’s 26th album, is surprisingly the diva’s first-ever tribute album to one artist. With past releases like 3614 Jackson Highway and Stars being entirely dedicated to wide-ranging covers of popular rock and pop songs, it feels almost ridiculous that it took her so long to find a single artist worthy of an entire LP worth of loving remakes. While Jackson Highway and Stars found a young, budding solo star Cher trying on the folk and blues of those particular song choices like they were farewell tour wigs, the 72-year-old makes ABBA songs not only sound like they should’ve been written for her in the first place but like they firmly belong in 2018, a feat considering the sometimes deliciously dated production and performance of many of ABBA’s biggest hits.
Working with producer Mark Taylor who helped seal Cher’s legacy with the game-changing “Believe” in the late Nineties, she finds subtle changes that update ABBA classics without totally stripping them of the catchiness that made those songs beloved hits well beyond their heyday. “Gimme! Gimme! Gimme! (A Man After Midnight),” “SOS” and “Mamma Mia” are given just enough of a knob turn that they’re transformed from upbeat FM radio pop into club bangers, pulsating with every beat.
Cher takes the ballad even more seriously, wanting to translate the emotional weight of ABBA’s history (the four members were composed of two married couples who both divorced during their height, inspiring much darker material in their later albums). Like ABBA itself, that gravity comes crashing down towards the final moments: “The Winner Takes It All” and “One of Us” are two of the quartet’s most eviscerating, emotional divorce reflections, and Cher delivers each one with a incredible vulnerability. “One of Us” in particular sees the biggest musical shift of any of the songs; the original is a breezy, tropical, mid-tempo pop moment that almost disguises the sadness of the lyrics. But that sadness can never hide from Cher, who strips it down to strings, piano and vocals, making sure you can feel every bit of the ego-shedding on the track.
Reviewed by Brittany Spanos for rollingstone.com.
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Available in:
"Dancing Queen" est un album de reprises et le vingt-sixième album studio de la chanteuse et actrice américaine Cher, publié par Warner Bros. Records le 28 septembre 2018. Il s'agit du premier album de Cher en cinq ans, après Closer to the Truth (2013). L'album contient des reprises de chansons enregistrées par le groupe pop suédois ABBA, le titre faisant référence à leur chanson de 1976 "Dancing Queen". L'album fait suite à l'apparition de Cher dans le film musical Mamma Mia ! Here We Go Again, basé sur la musique d'ABBA.
L'album a été acclamé par la plupart des critiques musicaux et a été un succès commercial, débutant à la troisième place du Billboard 200 américain avec des ventes de 153 000 unités la première semaine, devenant la semaine de ventes la plus élevée de Cher pour un album aux États-Unis. Dancing Queen a également été classé numéro un du Top Album Sales aux États-Unis, avec 150 000 exemplaires vendus, ce qui en fait le premier album de Cher à être classé numéro un dans ce classement.
User Album Review
Dancing Queen, Cher’s 26th album, is surprisingly the diva’s first-ever tribute album to one artist. With past releases like 3614 Jackson Highway and Stars being entirely dedicated to wide-ranging covers of popular rock and pop songs, it feels almost ridiculous that it took her so long to find a single artist worthy of an entire LP worth of loving remakes. While Jackson Highway and Stars found a young, budding solo star Cher trying on the folk and blues of those particular song choices like they were farewell tour wigs, the 72-year-old makes ABBA songs not only sound like they should’ve been written for her in the first place but like they firmly belong in 2018, a feat considering the sometimes deliciously dated production and performance of many of ABBA’s biggest hits.
Working with producer Mark Taylor who helped seal Cher’s legacy with the game-changing “Believe” in the late Nineties, she finds subtle changes that update ABBA classics without totally stripping them of the catchiness that made those songs beloved hits well beyond their heyday. “Gimme! Gimme! Gimme! (A Man After Midnight),” “SOS” and “Mamma Mia” are given just enough of a knob turn that they’re transformed from upbeat FM radio pop into club bangers, pulsating with every beat.
Cher takes the ballad even more seriously, wanting to translate the emotional weight of ABBA’s history (the four members were composed of two married couples who both divorced during their height, inspiring much darker material in their later albums). Like ABBA itself, that gravity comes crashing down towards the final moments: “The Winner Takes It All” and “One of Us” are two of the quartet’s most eviscerating, emotional divorce reflections, and Cher delivers each one with a incredible vulnerability. “One of Us” in particular sees the biggest musical shift of any of the songs; the original is a breezy, tropical, mid-tempo pop moment that almost disguises the sadness of the lyrics. But that sadness can never hide from Cher, who strips it down to strings, piano and vocals, making sure you can feel every bit of the ego-shedding on the track.
Reviewed by Brittany Spanos for rollingstone.com.
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