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Track List
01) Quorum
02) Dancing and Blood
03) Fly
04) Tempest
05) Always Up
06) Always Trying to Work It Out
07) The Son, the Sun
08) Dancing and Fire
09) Poor Sucker
10) Rome (Always in the Dark)
11) Disarray
01) Quorum
02) Dancing and Blood
03) Fly
04) Tempest
05) Always Up
06) Always Trying to Work It Out
07) The Son, the Sun
08) Dancing and Fire
09) Poor Sucker
10) Rome (Always in the Dark)
11) Disarray
3:42
6:22
5:48
4:48
5:28
3:55
3:30
4:17
3:35
3:32
3:52
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Indie
Dreamy
Rock/Pop
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Medium
Album
0 copies
Album Description
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"Double Negative" is the twelfth studio album by American indie rock group Low, released on September 14, 2018 on the Sub Pop label. The album was produced by B.J. Burton.
On Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Double Negative has an average score of 86 based on 20 reviews, indicating "universal acclaim".
User Album Review
Duluth, Minnesota indie titans, Low, are currently celebrating their twenty-fifth year as a band and returning with their twelfth studio album, Double Negative. The album marks an extraordinary point in the trio’s career – an album rich in darkness and in texture, finding Low in experimental sublimity, further reminding us that their range has only gotten exceptionally larger and better over time.
Double Negative begins similarly to something you’d expect from Tim Hecker. “Quorum” pulsates with trickling static accompanied alongside warm, choral vocals that are being interfered and manipulated with. Alan Sparhawk and Mimi Parker’s singing is often cloaked throughout with layers of haze, crackling and struggling along, intermittently coming in and out of focus as though they’re trapped beneath something. It even brings to mind a rather haunting connection to William Basinski’s The Disintegration Loops, but with vocals rather than synthesized textures taking centre stage. Low’s shift, however, doesn’t come entirely out of the blue – they’ve aligned themselves with similar company in the past (preforming alongside bands like Radiohead, Godspeed You! Black Emperor, and Labradford) and its overlap is much of what we hear Low projecting on Double Negative.
Double Negative’s tracks exemplify what we’ve come to love about Low over the years; they maneuvre and flirt heavily with dexterity and their concluding upshot resonates as something rather profound. It’s a stark reminder that Low have an innate ability to shift quietly and amend – and if they decide to opt out, they can confidently resurrect themselves in various forms of light.
Reviewed by Evan Lilly for thelineofbestfit.com.
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Available in:
"Double Negative" is the twelfth studio album by American indie rock group Low, released on September 14, 2018 on the Sub Pop label. The album was produced by B.J. Burton.
On Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream publications, Double Negative has an average score of 86 based on 20 reviews, indicating "universal acclaim".
User Album Review
Duluth, Minnesota indie titans, Low, are currently celebrating their twenty-fifth year as a band and returning with their twelfth studio album, Double Negative. The album marks an extraordinary point in the trio’s career – an album rich in darkness and in texture, finding Low in experimental sublimity, further reminding us that their range has only gotten exceptionally larger and better over time.
Double Negative begins similarly to something you’d expect from Tim Hecker. “Quorum” pulsates with trickling static accompanied alongside warm, choral vocals that are being interfered and manipulated with. Alan Sparhawk and Mimi Parker’s singing is often cloaked throughout with layers of haze, crackling and struggling along, intermittently coming in and out of focus as though they’re trapped beneath something. It even brings to mind a rather haunting connection to William Basinski’s The Disintegration Loops, but with vocals rather than synthesized textures taking centre stage. Low’s shift, however, doesn’t come entirely out of the blue – they’ve aligned themselves with similar company in the past (preforming alongside bands like Radiohead, Godspeed You! Black Emperor, and Labradford) and its overlap is much of what we hear Low projecting on Double Negative.
Double Negative’s tracks exemplify what we’ve come to love about Low over the years; they maneuvre and flirt heavily with dexterity and their concluding upshot resonates as something rather profound. It’s a stark reminder that Low have an innate ability to shift quietly and amend – and if they decide to opt out, they can confidently resurrect themselves in various forms of light.
Reviewed by Evan Lilly for thelineofbestfit.com.
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