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Track List
01) Hank
02) Coming Home (Pt.2)
03) Leviathan
04) Heads
05) Many Faces
06) How Hard the Day
07) Extraordinary Times
08) Picture of This Place
09) Hope to Sleep
10) Better Than That
11) Mask
12) What's It All About
13) Backwards Glances
14) Moving Car (demo)
15) Overdose (demo)
16) Trouble (demo)
01) Hank
02) Coming Home (Pt.2)
03) Leviathan
04) Heads
05) Many Faces
06) How Hard the Day
07) Extraordinary Times
08) Picture of This Place
09) Hope to Sleep
10) Better Than That
11) Mask
12) What's It All About
13) Backwards Glances
14) Moving Car (demo)
15) Overdose (demo)
16) Trouble (demo)
3:36
3:41
4:30
4:40
5:15
3:25
4:43
6:02
4:12
4:20
5:15
7:33
4:09
5:37
4:23
4:29
Data Complete
60%
Total Rating
60%Total Rating
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3D Face
3D Spine
First Released
2018
Pop
Good Natured
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Medium
Album
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Album Description
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Living in Extraordinary Times is the 15th studio album by British rock band James. It was released on 3 August 2018, through Infectious Music. A few months after the release of the band's 14th studio album, Girl at the End of the World in 2016, work began on a new album. Writing and three weeks of jam sessions followed, with engineer Beni Giles appearing partway through the sessions. Recording took place at Livingston and Iguana studios, both of which are in London, and lasted for four weeks, with Giles and Charlie Andrew handling co-production. Described as an indie rock record with elements of electronica, the album drew comparisons with the music of U2, the Killers, and the Courteeners. The music incorporates grooves, which were aided by bassist Jim Glennie, drummer David Baynton-Power, Andrew, and Giles.
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Living in Extraordinary Times is the 15th studio album by British rock band James. It was released on 3 August 2018, through Infectious Music. A few months after the release of the band's 14th studio album, Girl at the End of the World in 2016, work began on a new album. Writing and three weeks of jam sessions followed, with engineer Beni Giles appearing partway through the sessions. Recording took place at Livingston and Iguana studios, both of which are in London, and lasted for four weeks, with Giles and Charlie Andrew handling co-production. Described as an indie rock record with elements of electronica, the album drew comparisons with the music of U2, the Killers, and the Courteeners. The music incorporates grooves, which were aided by bassist Jim Glennie, drummer David Baynton-Power, Andrew, and Giles.
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