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Track List
01) Running to the Sea
02) Gorecki
03) Serendipity
04) Love That's Hard to Find
05) Chord - Less Yacht
06) Rainbow
07) Nirvana
08) Judder
09) I Came Here for You
10) Ten Deep
11) Fear I Must First Let You Go
01) Running to the Sea
02) Gorecki
03) Serendipity
04) Love That's Hard to Find
05) Chord - Less Yacht
06) Rainbow
07) Nirvana
08) Judder
09) I Came Here for You
10) Ten Deep
11) Fear I Must First Let You Go
4:59
6:22
4:48
3:46
4:23
4:49
3:17
4:08
4:53
4:40
5:17
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Ambient
Trippy
Electronic
---
Slow
Album
0 copies
Album Description
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The Place You Can't Remember, The Place You Can't Forget is the seventh studio album by British electronic music artist Chicane. The album was officially announced on 4 May 2018, along with the release of the second single from the album "Serendipity". It will be released on 15th June 2018 by Modena Records and Armada Music.
User Album Review
Chicane (aka Nick Bracegirdle) is a British musician, composer, songwriter and producer who has had a string of hits that have been massive on the Ibiza club scene, including ‘Saltwater’ (featuring vocals by Máire Brennan from Clannad), ‘Offshore’, ‘Don’t Give Up’ (featuring Bryan Adams) and ‘Stoned In Love’ (with vocals by the legendary Tom Jones). Now, 2018 sees the release of his seventh album, The Place You Can’t Remember, The Place You Can’t Forget (released through Modena Records and Armada Music); here’s what we think about it…
I would go so far as to say that this might be one of Chicane‘s best albums to date; it’s diverse, eclectic and contemporary whilst not compromising on his instantly recognisable sound and style.
The album opens with the stunningly atmospheric ‘Running To The Sea’ which reverberates right through the chest, due to low rumbles and bass notes but meanwhile uses harmonic guitars, making it sound equally euphoric; it’s like the dawn of a beautiful day, but in this instance, the day is the album!
From there, 2017 single, ‘Gorecki’ (featuring vocals by Hannah Robinson), makes an album appearance; very much a classic Chicane track – mesmerising, hypnotic synth plucks, dream-like pads, echoing vocals and deeply rooted in the house genre.
Also, Tracey Ackerman makes a much anticipated return collaboration on single, ‘Serendipity’; a calm and ambient track.
Some of the other, most notable tracks, include: the instant, turn-it-up anthem, ‘A Love That’s Hard To Find’; definitely a song that provides room to breathe throughout but also includes some Daft Punk-esque vocals (from Paul Aiden) on top of a summery, deep house beat; ‘Rainbow’ keeps you in suspense all the way through with its calming vocals (provided by Tyler Lyle) and synths that teeter around the edge of something big, probably making it one of the most ambient songs on the album and two Rosalee O’Connell-sung tracks; ‘Nirvana’ – an EDM meets house affair that has some wonderful, broken falsetto vocals, with a touch of something old-school (like ATB‘s ‘9 PM (Till I Come)’ or York‘s ‘On The Beach’) and ‘I Came Here For You’ which serves up an exotic combination of cascading synths, heavy drums, rhythmic bass and dreamy vocals that sit in the centre of the mix, almost surrounded by the instrumentation.
Somehow this feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.
To be perfectly honest though, it’s incredibly hard to find something not to love about every track on the album; ‘Chord – Less Yacht’ slowly builds from a muffled, static-like intro to an angelic-sounding, deep house anthem with shimmering synths and thumping beats, ‘Judder’ sounds like the theme to an 80s fighting game (think Street Fighter) but with dramatic changes in tempo and barely audible vocal notes coursing through it, ‘Ten Deep’ sounds like the film score to a modern sci-fi movie, due to its soaring synths and bold brass sounds and ‘Fear I Must First Let You Go’ (featuring vocals by Chris James) is a positive take on looking to the future – a therapeutic song that has an almost sermon-like quality to it.
Without a doubt, The Place You Can’t Remember, The Place You Can’t Forget is still an ambient, atmospheric and deep house-filled album that is instantly recognisable as Chicane, but somehow it feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.
Lastly, I would like to make a special thanks to Nick and his manager Louis, for allowing us to be the first and only people to have had access to the full album prior to its release. It truly has been a privilege.
SOURCE: https://muzikspeaks.com/2018/06/07/chicane-tpycr/
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Available in:
The Place You Can't Remember, The Place You Can't Forget is the seventh studio album by British electronic music artist Chicane. The album was officially announced on 4 May 2018, along with the release of the second single from the album "Serendipity". It will be released on 15th June 2018 by Modena Records and Armada Music.
User Album Review
Chicane (aka Nick Bracegirdle) is a British musician, composer, songwriter and producer who has had a string of hits that have been massive on the Ibiza club scene, including ‘Saltwater’ (featuring vocals by Máire Brennan from Clannad), ‘Offshore’, ‘Don’t Give Up’ (featuring Bryan Adams) and ‘Stoned In Love’ (with vocals by the legendary Tom Jones). Now, 2018 sees the release of his seventh album, The Place You Can’t Remember, The Place You Can’t Forget (released through Modena Records and Armada Music); here’s what we think about it…
I would go so far as to say that this might be one of Chicane‘s best albums to date; it’s diverse, eclectic and contemporary whilst not compromising on his instantly recognisable sound and style.
The album opens with the stunningly atmospheric ‘Running To The Sea’ which reverberates right through the chest, due to low rumbles and bass notes but meanwhile uses harmonic guitars, making it sound equally euphoric; it’s like the dawn of a beautiful day, but in this instance, the day is the album!
From there, 2017 single, ‘Gorecki’ (featuring vocals by Hannah Robinson), makes an album appearance; very much a classic Chicane track – mesmerising, hypnotic synth plucks, dream-like pads, echoing vocals and deeply rooted in the house genre.
Also, Tracey Ackerman makes a much anticipated return collaboration on single, ‘Serendipity’; a calm and ambient track.
Some of the other, most notable tracks, include: the instant, turn-it-up anthem, ‘A Love That’s Hard To Find’; definitely a song that provides room to breathe throughout but also includes some Daft Punk-esque vocals (from Paul Aiden) on top of a summery, deep house beat; ‘Rainbow’ keeps you in suspense all the way through with its calming vocals (provided by Tyler Lyle) and synths that teeter around the edge of something big, probably making it one of the most ambient songs on the album and two Rosalee O’Connell-sung tracks; ‘Nirvana’ – an EDM meets house affair that has some wonderful, broken falsetto vocals, with a touch of something old-school (like ATB‘s ‘9 PM (Till I Come)’ or York‘s ‘On The Beach’) and ‘I Came Here For You’ which serves up an exotic combination of cascading synths, heavy drums, rhythmic bass and dreamy vocals that sit in the centre of the mix, almost surrounded by the instrumentation.
Somehow this feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.
To be perfectly honest though, it’s incredibly hard to find something not to love about every track on the album; ‘Chord – Less Yacht’ slowly builds from a muffled, static-like intro to an angelic-sounding, deep house anthem with shimmering synths and thumping beats, ‘Judder’ sounds like the theme to an 80s fighting game (think Street Fighter) but with dramatic changes in tempo and barely audible vocal notes coursing through it, ‘Ten Deep’ sounds like the film score to a modern sci-fi movie, due to its soaring synths and bold brass sounds and ‘Fear I Must First Let You Go’ (featuring vocals by Chris James) is a positive take on looking to the future – a therapeutic song that has an almost sermon-like quality to it.
Without a doubt, The Place You Can’t Remember, The Place You Can’t Forget is still an ambient, atmospheric and deep house-filled album that is instantly recognisable as Chicane, but somehow it feels very different to some of his previous releases; it is uplifting, fresh, reinvigorating and really pushes the boundaries of what he can produce.
Lastly, I would like to make a special thanks to Nick and his manager Louis, for allowing us to be the first and only people to have had access to the full album prior to its release. It truly has been a privilege.
SOURCE: https://muzikspeaks.com/2018/06/07/chicane-tpycr/
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