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Track List
01) Pretty Shining People
02) Don't Matter Now
03) Get Away
04) Shotgun
05) Paradise
06) All My Love
07) Sugarcoat
08) Hold My Girl
09) Saviour
10) Only a Human
11) The Beautiful Dream
01) Pretty Shining People
02) Don't Matter Now
03) Get Away
04) Shotgun
05) Paradise
06) All My Love
07) Sugarcoat
08) Hold My Girl
09) Saviour
10) Only a Human
11) The Beautiful Dream
3:32
2:56
2:34
3:21
3:42
2:40
3:22
3:31
3:32
3:34
4:29
Data Complete
80%
Total Rating
80%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2018
Singer Songwriter
Carefree
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Staying at Tamara's ist das zweite Studioalbum des englischen Singer-Songwriters George Ezra. Es wurde am 23. März 2018 veröffentlicht. Das Album erreichte Platz eins in Großbritannien sowie die Top Ten mehrerer anderer Länder, darunter Australien und Neuseeland.
User Album Review
Opener ‘Happy Smiling People’ sees Ezra anchoring an infectious chorus around dark and world-weary lyrics: “What a terrible time to be alive if you’re prone to overthinking”, he croons, before offering a message of upbeat and hearty resilience (“Hey pretty smiling people, we’re alright together“). ‘Shotgun’ is another early standout, providing Ezra with the chance to prove that he’s far more than a identikit troubadour as he delves into Afrobeat rhythms a world away from his first record.
As the album progresses, the choruses get bigger – reaching their apex at the album’s midpoint with the defiant stomp of ‘Paradise’, an on-the-nose tale of headiness during the early stages of a relationship.
The emotional thread gets a lot more serious during the final third, notably on the soft cut ‘Hold My Girl’, which sees Ezra ditching the twanging guitars for his most soul-baring song yet – one destined to become first-dance material.
Maturity, however, is no bad thing – it provides one of the record’s strongest songs in ‘Saviour’, Ezra’s first collaboration with Swedish country sensations First Aid Kit. Like the theme tune for some imaginary neo-western, it perfectly combines Ezra’s deep vocals with the soulful vocal stylings of the Soderberg sisters.
Ultimately, it’s this blend of new-found maturity and crowd-pleasing choruses that transform Ezra’s second offering into the perfect progression from the sound of his debut.
Reviewed by Nick Reilly for nme.com.
External Album Reviews
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User Comments
Available in:
Staying at Tamara's ist das zweite Studioalbum des englischen Singer-Songwriters George Ezra. Es wurde am 23. März 2018 veröffentlicht. Das Album erreichte Platz eins in Großbritannien sowie die Top Ten mehrerer anderer Länder, darunter Australien und Neuseeland.
User Album Review
Opener ‘Happy Smiling People’ sees Ezra anchoring an infectious chorus around dark and world-weary lyrics: “What a terrible time to be alive if you’re prone to overthinking”, he croons, before offering a message of upbeat and hearty resilience (“Hey pretty smiling people, we’re alright together“). ‘Shotgun’ is another early standout, providing Ezra with the chance to prove that he’s far more than a identikit troubadour as he delves into Afrobeat rhythms a world away from his first record.
As the album progresses, the choruses get bigger – reaching their apex at the album’s midpoint with the defiant stomp of ‘Paradise’, an on-the-nose tale of headiness during the early stages of a relationship.
The emotional thread gets a lot more serious during the final third, notably on the soft cut ‘Hold My Girl’, which sees Ezra ditching the twanging guitars for his most soul-baring song yet – one destined to become first-dance material.
Maturity, however, is no bad thing – it provides one of the record’s strongest songs in ‘Saviour’, Ezra’s first collaboration with Swedish country sensations First Aid Kit. Like the theme tune for some imaginary neo-western, it perfectly combines Ezra’s deep vocals with the soulful vocal stylings of the Soderberg sisters.
Ultimately, it’s this blend of new-found maturity and crowd-pleasing choruses that transform Ezra’s second offering into the perfect progression from the sound of his debut.
Reviewed by Nick Reilly for nme.com.
External Album Reviews
None...
User Comments
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