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Track List
01) Biscuit Town
02) The Locomotive
03) Dum Surfer
04) Slush Puppy
05) Bermondsey Bosom (Left)
06) Logos
07) Sublunary
08) Lonely Blue
09) Cadet Limbo
10) Emergency Blimp
11) Czech One
12) (A Slide In) New Drugs
13) Visual
14) Bermondsey Bosom (Right)
15) Half Man Half Shark
16) The Cadet Leaps
17) The OOZ
18) Midnight 01 (Deep Sea Diver)
19) La Lune
01) Biscuit Town
02) The Locomotive
03) Dum Surfer
04) Slush Puppy
05) Bermondsey Bosom (Left)
06) Logos
07) Sublunary
08) Lonely Blue
09) Cadet Limbo
10) Emergency Blimp
11) Czech One
12) (A Slide In) New Drugs
13) Visual
14) Bermondsey Bosom (Right)
15) Half Man Half Shark
16) The Cadet Leaps
17) The OOZ
18) Midnight 01 (Deep Sea Diver)
19) La Lune
3:42
2:52
4:23
2:43
1:15
3:50
2:10
4:45
4:53
2:54
4:15
3:06
2:20
1:06
5:02
4:21
4:36
3:54
4:17
Data Complete
40%
Total Rating
40%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2017
Indie Rock
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Medium
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Album Description
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The Ooz (stylized as The OOZ) is the third studio album by English singer-songwriter Archy Marshall, and his second album under the stage name King Krule. It was released on 13 October 2017 via True Panther Sounds and XL. "Czech One" was released as the first King Krule song in several years. He announced the album in September 2017, and it was leaked by New York Times‘ fall preview guide. The album is Marshall's first studio album as King Krule since 2013 when he released 6 Feet Beneath the Moon. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, The Ooz received an average score of 81, based on 20 reviews, indicating "universal acclaim". In a review for AllMusic, Andy Kellman compared the album to its predecessor stating that "the songwriting is more refined and the sounds are more disparate, resulting in a sort of controlled chaos, a scuzzy mix of nervy neo-rockabilly projectiles, howling dirges, and noodling dive-lounge tunes". Pitchfork gave The Ooz their "Best New Music" designation, with Jayson Greene complimenting the diversity of musical styles used on the album, as well as the distinctive sounds and textures. He wrote that the album "is the richest and most immersive album the London singer-songwriter has made yet" and that it is "a masterpiece of jaundiced vision from one of the most compelling artists alive." Alexis Petridis of The Guardian was more ambivalent, acknowledging the diverse musical styles while also considering the album to be "frustrating" and "a difficult listen." Though he recommends the album, Petridis considers the album's length to be a detraction, writing, "But self-indulgence is also its biggest drawback...The Ooz lasts more than an hour and virtually every track is allowed to ramble on for longer than it needs to."
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Available in:
The Ooz (stylized as The OOZ) is the third studio album by English singer-songwriter Archy Marshall, and his second album under the stage name King Krule. It was released on 13 October 2017 via True Panther Sounds and XL. "Czech One" was released as the first King Krule song in several years. He announced the album in September 2017, and it was leaked by New York Times‘ fall preview guide. The album is Marshall's first studio album as King Krule since 2013 when he released 6 Feet Beneath the Moon. At Metacritic, which assigns a normalised rating out of 100 to reviews from mainstream critics, The Ooz received an average score of 81, based on 20 reviews, indicating "universal acclaim". In a review for AllMusic, Andy Kellman compared the album to its predecessor stating that "the songwriting is more refined and the sounds are more disparate, resulting in a sort of controlled chaos, a scuzzy mix of nervy neo-rockabilly projectiles, howling dirges, and noodling dive-lounge tunes". Pitchfork gave The Ooz their "Best New Music" designation, with Jayson Greene complimenting the diversity of musical styles used on the album, as well as the distinctive sounds and textures. He wrote that the album "is the richest and most immersive album the London singer-songwriter has made yet" and that it is "a masterpiece of jaundiced vision from one of the most compelling artists alive." Alexis Petridis of The Guardian was more ambivalent, acknowledging the diverse musical styles while also considering the album to be "frustrating" and "a difficult listen." Though he recommends the album, Petridis considers the album's length to be a detraction, writing, "But self-indulgence is also its biggest drawback...The Ooz lasts more than an hour and virtually every track is allowed to ramble on for longer than it needs to."
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