Album Title
Artist IconNeil Young
Artist Icon The Visitor
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5:47
2:37
4:50
5:13
5:54
8:20
2:33
3:24
2:00
10:32

Data Complete
percentage bar 70%

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Back Cover
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First Released

Calendar Icon 2017

Genre

Genre Icon Folk

Mood

Mood Icon Philosophical

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Reprise Records

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Album Description
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"The Visitors" is the thirty-ninth studio album by Canadian singer-songwriter Neil Young and his second studio album with American rock group Promise of the Real. The album was released on December 1, 2017, on Reprise Records.
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 70, based on 9 reviews, indicating "generally favorable reviews".
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Album Review
First of all, Young has found collaborators who have allowed him to deftly roam over stylistic borders and back again. On the harder numbers, Promise Of The Real follow Young ably through gritty R&B (“Stand Tall”), anthemic rock (“Children Of Destiny”), and territory hard to even describe (“Carnival,” which sounds like a big top stranded in a desert wasteland.) And when Young gets quiet and meditative, the band knows how to support him with lovely touches without getting in the way.
Young uses some of the harder-rocking tracks as a pulpit to attack the Oval Office; about the nicest thing he calls President Trump is a “game show host.” But the focus is more about giving a pep talk to the American citizens. The excellent lead track “Already Great,” which mixes fuzzed-out glory with dreamy refrains, provides the perspective of a Canadian who views his Southern neighbors with empathy and affection. “Children Of Destiny” combines fist-pumping exhortations with quiet orchestral verses fearing the worst-case scenario that occurs when citizens stand back and stay quiet.
Even on the shorter filler songs, Young sounds like he’s having a blast. The Visitor also makes room for a pair of rambling acoustic epics. “Almost Always” lopes along between striking personal and political observations, while “Forever” takes ten-and-a-half gorgeous minutes to lay out Young’s Utopian visions and environmental concerns. “I really want to make a difference,” he sings. As if he hasn’t already. As if he hasn’t done it again.
Reviewed by Jim Beviglia for americansongwriter.com.
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