Album Title
Joss Stone
Artist Icon Water for Your Soul (2015)
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First Released

Calendar Icon 2015

Genre

Genre Icon Pop

Mood

Mood Icon In Love

Style

Style Icon Rock/Pop

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Release Format

Release Format Icon Album

Record Label Release

Speed Icon S‐Curve Records

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Album Description
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Water for Your Soul is the seventh studio album by English singer and songwriter Joss Stone, released on 31 July 2015 by her own label, Stone'd Records. It marks her first full-length studio album since 2011's LP1, following the release of the covers album The Soul Sessions Vol. 2 (2012). Musically, it incorporates reggae and hip hop with influences from many different genres, including soul, R&B, world, gospel, Latin and some Indian and Irish influence. The art design was made by Irish designer Aoife Hastings, who won a competition launched by Stone through social media which gave to fans the opportunity to draw her new album cover art.

Background
In 2008, Stone launched a legal battle in a bid to leave her record label, EMI, and free her of her current three-album deal with the record label. After EMI delayed the release of Colour Me Free!, originally scheduled for April 2009, Stone finally released the album on 20 October 2009. Joss revealed that her record company also fought her about the original cover of her new album, calling it "offensive" but by late August 2010, it was reported that Stone had left EMI and formed her own independent record label, Stone'd Records.

Stone partnered with Surfdog Records to release LP1 on 26 July 2011, through her own label Stone'd Records. Stone also joined the supergroup SuperHeavy which was formed by Mick Jagger of the Rolling Stones, together with Dave Stewart (credited by Mick with the original idea of SuperHeavy), Damian Marley (the youngest son of Bob Marley) and the Indian musician and producer A. R. Rahman. The album was recorded at Jim Henson Studios in Los Angeles and was released on 20 September 2011 by A&M Records. The debut single, "Miracle Worker", was released on 19 July 2011. Following Stones decision to join SuperHeavy she released "The Soul Sessions Vol 2" which saw Stone return to her original label, S-Curve Records, who released the album jointly with the artist's Stone'd Records.

Recording
The idea for a reggae record comes when Stone worked with Damian Marley on SuperHeavy in 2011. In an interview for Official Charts she stated: "Damien actually said to me, 'Joss, you have to do a reggae album!' I'm not crazy enough to know that a reggae album from me would be a very weird thing to do, but the songs we've created are heavily rooted in that sound. That's the style of the album. There's also the Irish fiddles, the Sarod, the tablas, the gospel, flamenco guitar".

Stone has began to work on a new record as soon after launch her sixth album The Soul Sessions Vol. 2. She announced to newspaper La Vanguardia back in July 2012 that she would work on a reggae album. She stated that it would be recorded and produced by herself and Damian Marley, who previously worked in SuperHeavy. In March 2014, she elaborated that the new album would be a little bit different and "more eclectic" with a "little bit more hip-hop and reggae".

The sounds and artistry direction of album was adapted and developed through four years that followed until the finished product, even putting songs written by her a long time ago. "The creation of the album has been going on for a while and I certainly had no idea what was getting myself into when I started it. The songs on the album 'Wake Up' and 'Underworld' I wrote ages ago, with no real plan of them going on a record. Then I met Damien Marley when we were working on the Superheavy stuff and we started writing songs in the spare time we had between the sessions. I developed such a strong love for reggae music"

In 2014, Stone also worked with The Urban Folk Quartet members Joe Broughton and Paloma Trigas, who provided string parts for the album. Band member Tom Chapman said how the collaboration began: "Joss watched our gig at Green Man festival last year and came up to chat afterwards. She's really lovely and since then she's stayed in touch and come to see us on tour. When she needed something a little different for the strings on her new record she invited Joe and Paloma down to her studio where they had a great time making music". "

Release and promotion
Stone inked deals with three different label services for the album release. The LP will be released via Stone's own label, Stone'd Records, in conjunction with Essential Music & Marketing in the UK and Ireland. Kobalt will be responsible for the US and South America, Canada, Australia, Japan and China, while Membran will be in charge for Europe and Africa. Essential's Stuart Meikle said: "Essential are absolutely delighted to be a part of the ongoing development of Joss's musical adventure."

In addition to releasing the album, she plans to embark on a true "world tour" by playing a gig in every country on the planet. The Total World Tour, which started in April 2014 should take two-and-a-half to three years and visit 204 countries.
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User Album Review
"How Joss Got Her Groove Back" might be a more appropriate title for Joss Stone's seventh studio offering. The British soul diva's last two albums were scattershot affairs: 2009's Colour Me Free! was mired in label politics and unsuccessful concessions to adult contemporary radio, while 2012's The Soul Sessions Vol. 2 failed to recapture the charming retro-vibe of its 2003 predecessor.

A much-needed new approach came from Damian Marley (Stone's band mate in SuperHeavy and producer on Water For Your Soul), who suggested she record a reggae album; the result showcases a rejuvenated Stone. The sensual, lovers-rock sway of "Love Me," "Cut The Line" and the playful "Clean Water" are right in Stone's wheelhouse. Worldly flourishes, like the tablas that grace "Stuck On You" and the flamenco guitar that seasons the hip-hop bounce of "Let Me Breathe," fit hand in glove with her superb voice, which has grown both more malleable and expressive as the one-time teen ingénue nears 30. She also hangs tough on the killer riddim of "Harry's Symphony" (which samples Barrington Levy, Cocoa Tea and Inner Circle's ubiquitous "Bad Boys"), and while "Sensimilla" isn't a cover of the Black Uhuru classic, it's an infectiously lilting testimonial to the good herb.

It may have taken a few years, a couple of misfires and a different stylistic approach, but Joss Stone has re-asserted herself with this fine effort.

SOURCE: http://exclaim.ca/music/article/joss_stone-water_for_your_soul


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