Album Title
Portugal. The Man
Artist Icon Woodstock (2017)
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Back Cover
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3D Case
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First Released

Calendar Icon 2017

Genre

Genre Icon Psychedelic Rock

Mood

Mood Icon Hypnotic

Style

Style Icon Rock/Pop

Theme

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Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Atlantic

World Sales Figure

Sales Icon 0 copies

Album Description
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"Woodstock" is the eighth full-length album by Alaskan rock band Portugal. The Man, released on June 16, 2017 through Atlantic Records.
At Metacritic, which assigns a normalized rating out of 100 to reviews from critics, the album received an average score of 67, based on 5 reviews, indicating "generally favorable reviews".
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User Album Review
While the recording contains the band's hyperkinetic, sometimes frantic tapestry of sounds from neo-psych to glam and indie (in places), they've upped their "commercials" ante considerably as evidenced by single "Feel It Still," which has a punchy, fingerpopping rhythm worthy of both Pharrell Williams and Mark Ronson, complete with bumping brass, crisp snares, and Gourley's falsetto. The irony of such an overt pop single isn't lost on the band: They've printed T-shirts that read "I was into Portugal. The Man before they sold out." The pop approach is subversive but you'll need to get to the various song's lyrics to discover it. (No spoilers.) Check the nocturnal loop and groove of "Easy Tiger" that weaves traces of glam and multi-layered psych into its dubby, club-floor stomp. While "Keep On" contains ghost traces of the band's indie past, it's more influenced by alternative R&B and still rocks. The Pharcyde's Fatlip guests on the wonderful, snare/hi-hat/acid-tinged zaniness that is "Mr. Lonely," while the hip-hop drums and Hill's multi-layered, Brian Wilson-esque swooping vocal and backmasked Baroque psych production on "Tidal Wave" are infectious. Closer "Noise Pollution" offers an upfront vocal mix with Mary Elizabeth Winstead & Zoe Manville adding a prominent vocal chorus into the meld of psychedelic pop, hip-hop, and dancefloor tropes in a dense production by Mike D. It'll be interesting to observe how P.TM's longtime fans react to Woodstock, or if it will even matter. They'll certainly retain enough of their base to chart, but the bet is, given how accessible and attractive (and yes, derivative) their loopy brand of pop is, they'll attract an entirely new crop of fans to compensate. Pump your fist, be "a rebel just for kicks now," and most of all, dance like your life depended on it. As far as P.TM is concerned, it does.
AllMusic Review by Thom Jurek


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