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Track List
01) A Better Place
02) Ghost on the Canvas
03) The Billstown Crossroads
04) A Thousand Lifetimes
05) It's Your Amazing Grace
06) Second Street North
07) In My Arms
08) May 21st, 1969
09) Nothing but the Whole Wide World
10) Wild and Waste
11) Hold on Hope
12) Valley of the Son
13) Any Trouble
14) Strong
15) The Rest Is Silence
16) There's No Me... Without You
01) A Better Place
02) Ghost on the Canvas
03) The Billstown Crossroads
04) A Thousand Lifetimes
05) It's Your Amazing Grace
06) Second Street North
07) In My Arms
08) May 21st, 1969
09) Nothing but the Whole Wide World
10) Wild and Waste
11) Hold on Hope
12) Valley of the Son
13) Any Trouble
14) Strong
15) The Rest Is Silence
16) There's No Me... Without You
1:50
4:12
1:03
4:08
3:14
0:35
3:26
0:34
3:41
1:13
3:32
0:56
3:00
3:32
0:50
6:16
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2011
Country
Good Natured
Country
---
Medium
Album
0 copies
Album Description
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"Ghost on the Canvas" is the sixty-first studio album by Glen Campbell, released August 30, 2011 on the Surfdog label.
Ghost on the Canvas was intended to be Campbell's farewell studio recording following him being diagnosed with Alzheimer's disease. Campbell and producer Julian Raymond decided to record one final studio album of original material while he was in good enough health.
User Album Review
Few artists get the luxury of crafting their final album as a conscious farewell, but Glen Campbell isn’t just any artist. Campbell is a titan with a legacy that begins before he started to record solo albums, so if anyone deserves to craft a career-capping final record it is he, even if this opportunity is bittersweet, tainted by the knowledge that he was diagnosed with Alzheimer’s sometime during its recording. His disease does hang over Ghost on the Canvas, its sadness surfacing on the instrumental interstitials written by Roger Manning, but this album bears none of the ghoulish fetishization of death that haunts Rick Rubin’s latter-day productions of Johnny Cash. No, producer Julian Raymond has crafted Ghost on the Canvas as a specific sequel to the very good 2008 Meet Glen Campbell, which consciously re-created Campbell’s golden decade of 1967-1977 through newly written songs and covers of modern rockers. Raymond uses the same formula here, finding tunes by Manning, Paul Westerberg (the title track), Jakob Dylan (“Nothing But the Whole Wide World”), Robert Pollard (“Hold on Hope”), and Teddy Thompson (“In My Arms”), then crafting sturdy originals with Campbell, all evoking such luxuriant dramatic classics as “Wichita Lineman” without succumbing under self-conscious weight. It’s a delicate trick that, apart from those too elegiac instrumentals, never once seems forced, a testament to Raymond’s skills as a producer and Campbell’s as a musician and singer. Perhaps Ghost on the Canvas doesn’t revisit every high in Campbell’s history, but it pays honor to his legacy and feels like an appropriate and subtly moving farewell. -- AllMusic Review by Stephen Thomas Erlewine
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User Comments
Available in:
"Ghost on the Canvas" is the sixty-first studio album by Glen Campbell, released August 30, 2011 on the Surfdog label.
Ghost on the Canvas was intended to be Campbell's farewell studio recording following him being diagnosed with Alzheimer's disease. Campbell and producer Julian Raymond decided to record one final studio album of original material while he was in good enough health.
User Album Review
Few artists get the luxury of crafting their final album as a conscious farewell, but Glen Campbell isn’t just any artist. Campbell is a titan with a legacy that begins before he started to record solo albums, so if anyone deserves to craft a career-capping final record it is he, even if this opportunity is bittersweet, tainted by the knowledge that he was diagnosed with Alzheimer’s sometime during its recording. His disease does hang over Ghost on the Canvas, its sadness surfacing on the instrumental interstitials written by Roger Manning, but this album bears none of the ghoulish fetishization of death that haunts Rick Rubin’s latter-day productions of Johnny Cash. No, producer Julian Raymond has crafted Ghost on the Canvas as a specific sequel to the very good 2008 Meet Glen Campbell, which consciously re-created Campbell’s golden decade of 1967-1977 through newly written songs and covers of modern rockers. Raymond uses the same formula here, finding tunes by Manning, Paul Westerberg (the title track), Jakob Dylan (“Nothing But the Whole Wide World”), Robert Pollard (“Hold on Hope”), and Teddy Thompson (“In My Arms”), then crafting sturdy originals with Campbell, all evoking such luxuriant dramatic classics as “Wichita Lineman” without succumbing under self-conscious weight. It’s a delicate trick that, apart from those too elegiac instrumentals, never once seems forced, a testament to Raymond’s skills as a producer and Campbell’s as a musician and singer. Perhaps Ghost on the Canvas doesn’t revisit every high in Campbell’s history, but it pays honor to his legacy and feels like an appropriate and subtly moving farewell. -- AllMusic Review by Stephen Thomas Erlewine
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