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The band's second CD has them mining the deep, dark territory of old, acoustic blues and early country music. Record mostly live, the Delta dirges and Appalachian rave-ups are raw, soulful, and skillfull examples of how banjo, slide guitar, and sheet met
User Album Review
The sheer, chaotic madness of this band is captured here with a visceral intensity. Initially it is impossible not to think that they may be having more fun than you. A mash up of folk and blues, with a definite edge of punk-rock attitude, Agnostic Mountain Gospel Choir smash though their opening tracks as if the music once said something nasty about their mothers, pummelling and twisting it into a compelling, screaming cacophony.
Later as you get used to it and as they settle down the interest is maintained. Real talent emerges from the noise. The tightness of the whole band is unflagging and keeping track of which banjo, guitar and drum is doing what quickly becomes an impossible task and you are forced to simply soak up the uniqueness.
Raw and unpolished, dripping in sweat, blood and probably nastier things the Agnostics manage to fire belief in the power of live music, even on record. The folk-noise collision doesn’t always work but it works more often than not. 'Fighting and Onions' is a glorious addition to the fucked-up folk-blues scene.
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