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Track List
01) Groundwork
02) Horn of the Clock-Bike
03) Ashes
04) Think Like They Book Say
05) The Bear / Coltan as Cotton
06) Burundi
07) The Noise Came From Here
08) Down for Some Ignorance
09) Roach Eggs
10) All Coltrane Solos at Once
11) No Different
12) Homes / Drones / Poems / Drums
01) Groundwork
02) Horn of the Clock-Bike
03) Ashes
04) Think Like They Book Say
05) The Bear / Coltan as Cotton
06) Burundi
07) The Noise Came From Here
08) Down for Some Ignorance
09) Roach Eggs
10) All Coltrane Solos at Once
11) No Different
12) Homes / Drones / Poems / Drums
4:16
3:35
2:52
3:53
4:19
4:06
2:39
2:25
4:24
3:24
2:29
3:18
Data Complete
50%
Total Rating
50%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2016
Alternative Hip-Hop
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Urban/R&B
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Medium
Album
0 copies
Album Description
Available in:
Written and recorded between Senegal, Reunion Island, Paris, Haiti, and New Orleans and New York, Martyr Loser King is a multimedia project that engages the digital dialogue between the 1st and 3rd Worlds, and the global street sounds that yoke the two. “In Senegal, I was buying iPhones for $20, Beats for $10, because they get all the influx from China, with no regulation,” Williams explains. “So everyone’s online. Everyone’s high tech.” He sights Beyoncé, Fredo Santana, and Haitian field recordings as musical inspirations for his self-produced 6th album, straining trap hi-hats and mbira strokes together for a nuanced, entirely original sound. “I’m just letting you know what I’m reading and seeing while I’m writing. When I’m writing, the music leads.”
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Available in:
Written and recorded between Senegal, Reunion Island, Paris, Haiti, and New Orleans and New York, Martyr Loser King is a multimedia project that engages the digital dialogue between the 1st and 3rd Worlds, and the global street sounds that yoke the two. “In Senegal, I was buying iPhones for $20, Beats for $10, because they get all the influx from China, with no regulation,” Williams explains. “So everyone’s online. Everyone’s high tech.” He sights Beyoncé, Fredo Santana, and Haitian field recordings as musical inspirations for his self-produced 6th album, straining trap hi-hats and mbira strokes together for a nuanced, entirely original sound. “I’m just letting you know what I’m reading and seeing while I’m writing. When I’m writing, the music leads.”
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