Album Title
Hot Chip
Artist Icon The Warning (2006)
heart icon (1 users)
Last IconTransparent icon Next icon

Transparent Block
Cover NOT yet available in 4k icon
Join Patreon for 4K upload/download access


Your Rating (Click a star below)

Star off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off iconStar off icon



Star IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar Icon
Star IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar Icon
Star IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar IconStar Icon











3:28
5:19
5:28
5:47
4:12
3:20
4:50
4:51
2:31
4:05
5:05
3:50
3:59
2:37

Data Complete
percentage bar 70%

Total Rating

Star Icon (3 users)

Back Cover
Album Back Cover

CD Art
CDart Artwork

3D Case
Transparent Icon

3D Thumb
Transparent Icon

3D Flat
Transparent Icon

3D Face
Transparent Icon

3D Spine
Transparent Icon

First Released

Calendar Icon 2006

Genre

Genre Icon Electronic

Mood

Mood Icon Energetic

Style

Style Icon Electronic

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Astralwerks

World Sales Figure

Sales Icon 0 copies

Album Description
Available in:
The Warning is the second full-length release from the British electronic indie pop band Hot Chip. The album was released in the UK on 22 May 2006 by EMI and in the United States on 3 June 2006 by Astralwerks. Notable tracks include the UK singles, "Over and Over" and "Boy from School", as well as "(Just Like We) Breakdown", which was featured and remixed on the DFA Records compilation album The DFA Remixes – Chapter One. The album was nominated for the 2006 Mercury Music Prize.

The Warning explores the theme of contradiction as well as "slower and darker aspects of electronic music" with the use of "strange violence" in songs. This technique is best depicted in the song, The Warning, which uses antithesis; "soft glockenspiel notes" contrasted against "violent" lyrics. The chorus continues the idea with a "patent mismatch of violence and melancholy".

A number of reviews commented on the stylistic and lyrical changes between Hot Chip's first album Coming on Strong (2004) and The Warning. Coming on Strong was described as a "successful but safe entrée to the British electro-soul outfit" and although "graceful, delicate melodies of the debut" had been abandoned, they were replaced for "songs with more wallop". Hot Chip's music changed from the "quirky electro-pop" of Coming on Strong to create an album that was "much more focused and pop friendly", "a step away from Prince and a step towards LCD Soundsystem".

The production of The Warning was handled by vocalists Alexis Taylor and Joe Goddard, who produced and recorded the album in the band's Putney home. NME commented that the "normality of surroundings" works well for them. Tim Goldsworthy and James Murphy of DFA Records were involved in the production of one song. Though the song "worked out well as a record", Taylor stated it wasn't "an enjoyable experience in terms of feeling involved". Taylor said that he and Goddard work best as a duo, the success of which he attributes to the years they have been acquainted.

An idea involving all five members joining together to write songs was rejected because Taylor "didn't think it would come up with anything interesting." Although the album isn't one of all five members, Taylor and Goddard approached the album with "the spirit of the live show".

In an interview with Jim Carroll from The Irish Times, Taylor stated that Hot Chip had two different strands; one consisting of Taylor and Goddard who control the recording process, and a second involving all five members of Hot Chip for playing live versions of their albums. Taylor said he believed two groups were needed to avoid delivering repetitive performances; "You can do very different things in a room playing to people than when you're in a room layering sounds and getting embedded in production trickery".

The recording of the album took place in Goddard's bedroom, where Goddard had "an old Dell desktop that bought maybe four or five years ago" running Steinberg Cubase. The album was recorded mostly using live instruments, including tambourines and bongos, but multiple vintage synths were also used in the creation of The Warning such as, a Roland SH-101, a Teisco 60F and a Casiotone MT-70. Goddard said the majority of the album was recorded with the Casiotone MT-70 due to its "soft, simple sound" that "fits with the sound that try to create" and works well with Taylor's voice. Goddard stated a preference for using a mix of analog and computer sounds rather than a concentration of Virtual Studio Technology (VST) instruments. However, one VST instrument was used, the Arturia Moog Modular, because Goddard felt it created vintage sounds that weren't "too shiny or new-sounding".
The musical influences of Taylor and Goddard, such as R. Kelly, Wookie, krautrock, Kraftwerk, Prince and Madlib, were brought together on The Warning. Taylor stated that he wanted the variety of musical interests to sound as if they had "all been mixed together in a good way" rather than "bolted together crudely", because of his belief that music shouldn't sound like "just a load of instruments". "No Fit State" gathers large influence from "Svetlana" by the group Xex.
wiki icon


User Album Review
None...


External Album Reviews
None...



User Comments
seperator
No comments yet...
seperator

Status
Locked icon unlocked

Rank:

External Links
MusicBrainz Large icontransparent block Amazon Large icontransparent block Metacritic Large Icon