Album Title
Diana Ross & The Supremes
Anthology: The Best of Diana Ross & The Supremes (1995)
(0 users)
Diana Ross & The Supremes
Anthology: The Best of Diana Ross & The Supremes (1995) (0 users) 
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Track List
01) I Want a Guy
02) Buttered Popcorn
03) Your Heart Belongs to Me
04) Let Me Go the Right Way
05) A Breath Taking Guy
06) Long Gone Lover
07) When the Lovelight Starts Shining Through Hi
08) Send Me No Flowers
09) Where Did Our Love Go
10) Baby Love
11) Come See About Me
12) Stop! In the Name of Love
13) Back in My Arms Again
14) Nothing but Heartaches
15) Mother Dear
16) Too Hurt to Cry, Too Much in Love to Say Goo
17) I Hear a Symphony
18) He's All I Got
19) My World Is Empty Without You
20) Love Is Like an Itching in My Heart
21) You Can't Hurry Love
22) You Keep Me Hanging On
23) Remove This Doubt
24) Love Is Here and Now You're Gone
25) The Happening
26) Things Are Changing
Cd 2
01) Reflections
02) In and Out of Love
03) I'm Gonna Make It
04) Then
05) Forever Came Today
06) Sweet Thing
07) Some Things You Never Get Used To
08) Love Child
09) Keep an Eye
10) I'm Gonna Make You Love Me
11) I'm Livin' in Shame
12) I'll Try Something New
13) The Composer
14) Discover Me
15) No Matter What Sign You Are
16) Someday We'll Be Together
17) Up the Ladder to the Roof
18) Everybody's Got the Right to Love
19) Stoned Love
20) River Deep, Mountain High
21) Nathan Jones
22) Floy Joy
23) Automatically Sunshine
24) Your Wonderful, Sweet, Sweet Love
25) Paradise
26) I'm Gonna Let My Heart Do the Walking
01) I Want a Guy
02) Buttered Popcorn
03) Your Heart Belongs to Me
04) Let Me Go the Right Way
05) A Breath Taking Guy
06) Long Gone Lover
07) When the Lovelight Starts Shining Through Hi
08) Send Me No Flowers
09) Where Did Our Love Go
10) Baby Love
11) Come See About Me
12) Stop! In the Name of Love
13) Back in My Arms Again
14) Nothing but Heartaches
15) Mother Dear
16) Too Hurt to Cry, Too Much in Love to Say Goo
17) I Hear a Symphony
18) He's All I Got
19) My World Is Empty Without You
20) Love Is Like an Itching in My Heart
21) You Can't Hurry Love
22) You Keep Me Hanging On
23) Remove This Doubt
24) Love Is Here and Now You're Gone
25) The Happening
26) Things Are Changing
Cd 2
01) Reflections
02) In and Out of Love
03) I'm Gonna Make It
04) Then
05) Forever Came Today
06) Sweet Thing
07) Some Things You Never Get Used To
08) Love Child
09) Keep an Eye
10) I'm Gonna Make You Love Me
11) I'm Livin' in Shame
12) I'll Try Something New
13) The Composer
14) Discover Me
15) No Matter What Sign You Are
16) Someday We'll Be Together
17) Up the Ladder to the Roof
18) Everybody's Got the Right to Love
19) Stoned Love
20) River Deep, Mountain High
21) Nathan Jones
22) Floy Joy
23) Automatically Sunshine
24) Your Wonderful, Sweet, Sweet Love
25) Paradise
26) I'm Gonna Let My Heart Do the Walking
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2:54
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Data Complete
60%
Total Rating
60%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1995
Soul
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Urban/R&B
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Medium
Album
0 copies
Album Description
Available in:
Motown Records' Anthology series, first introduced in the 1970s, presented three-LP sets devoted to the work of its major artists, among them, of course, Diana Ross and the Supremes, who got a 35-track treatment in 1974, chronicling their chart hits and a handful of their more adventurous stylistic forays. Twelve years later, Motown brought out a second Anthology of the group for the CD era, expanding to 50 tracks and including recordings by the post-Diana Ross version of the Supremes. Another nine years on, here is yet another variation on the formula. This 52-track Diana Ross and the Supremes Anthology adopts the same basic chronological approach as its predecessors, and like the 1986 album includes Supremes songs from the '70s, taking the group from 1961 to 1976. (Ross bid farewell at the start of 1970.) Compiler Bill Inglot is not interested in hearing the Supremes cover Rodgers and Hart; rather, in addition to including all their Top 40 pop hits, he has sought out album tracks in the same style as their successful singles, songs like "Mother Dear" and "He's All I Got," written by Holland-Dozier-Holland, that one can easily imagine having joined their list of hits. (The sole unreleased track is a fascinating public service announcement written and produced by Phil Spector, "Things Are Changing.") This gives the album stylistic consistency, at least through its first disc, though the continuing decision to lump the post-Diana Ross material in at the end remains questionable. But the most bizarre aspect of this Anthology is the choice of presenting most of the tracks in monophonic sound. That sound is punchy, reminiscent of 1960s AM radio, but it's not as though there weren't stereo versions of these recordings, and when a few stereo mixes are introduced on the second disc, they stick out.
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Available in:
Motown Records' Anthology series, first introduced in the 1970s, presented three-LP sets devoted to the work of its major artists, among them, of course, Diana Ross and the Supremes, who got a 35-track treatment in 1974, chronicling their chart hits and a handful of their more adventurous stylistic forays. Twelve years later, Motown brought out a second Anthology of the group for the CD era, expanding to 50 tracks and including recordings by the post-Diana Ross version of the Supremes. Another nine years on, here is yet another variation on the formula. This 52-track Diana Ross and the Supremes Anthology adopts the same basic chronological approach as its predecessors, and like the 1986 album includes Supremes songs from the '70s, taking the group from 1961 to 1976. (Ross bid farewell at the start of 1970.) Compiler Bill Inglot is not interested in hearing the Supremes cover Rodgers and Hart; rather, in addition to including all their Top 40 pop hits, he has sought out album tracks in the same style as their successful singles, songs like "Mother Dear" and "He's All I Got," written by Holland-Dozier-Holland, that one can easily imagine having joined their list of hits. (The sole unreleased track is a fascinating public service announcement written and produced by Phil Spector, "Things Are Changing.") This gives the album stylistic consistency, at least through its first disc, though the continuing decision to lump the post-Diana Ross material in at the end remains questionable. But the most bizarre aspect of this Anthology is the choice of presenting most of the tracks in monophonic sound. That sound is punchy, reminiscent of 1960s AM radio, but it's not as though there weren't stereo versions of these recordings, and when a few stereo mixes are introduced on the second disc, they stick out.
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