(0 users) 
Cover NOT yet available in
Join Patreon for 4K upload/download access
Your Rating (Click a star below)
0:00
Data Complete
60%
Total Rating
60%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1975
Rock
Rousing
Rock/Pop
---
Medium
Other
0 copies
Album Description
Available in:
Freddie Mercury wrote most of "Bohemian Rhapsody" at his home in London. The song's producer, Roy Thomas Baker, related how Mercury once played the opening ballad section on the piano for him: "He played the beginning on the piano, then stopped and said, 'And this is where the opera section comes in!' Then we went out to eat dinner." Guitarist Brian May says the band thought that Mercury's blueprint for the song was "intriguing and original, and worthy of work". According to May, much of Queen's material was written in the studio, but this song "was all in Freddie's mind" before they started. Music scholar Sheila Whiteley suggests that "the title draws strongly on contemporary rock ideology, the individualism of the bohemian artists' world, with rhapsody affirming the romantic ideals of art rock". Commenting on bohemianism, Judith Peraino said that "Mercury intended... to be a 'mock opera', something outside the norm of rock songs, and it does follow a certain operatic logic: choruses of multi-tracked voices alternate with aria-like solos, the emotions are excessive, the plot confusing."
According to Mercury's friend Chris Smith (a keyboard player in Smile), Mercury first started developing "Bohemian Rhapsody" in the late 1960s; Mercury used to play parts of songs he was writing at the piano, and one of his pieces, known simply as "The Cowboy Song", contained lyrics that ended up in the completed version produced years later, in 1975, specifically, "Mama... just killed a man."
Recording began at Rockfield Studio 1 near Monmouth on 24 August 1975, after a 3-week rehearsal at Penrhos Court, near Kington in Herefordshire. During the making of the track, an additional four studios (Roundhouse, SARM (East), Scorpion, and Wessex) were used. According to some band members, Mercury mentally prepared the song beforehand and directed the band throughout. Mercury used a Bechstein "concert grand" piano, which he played in the promotional video and the UK tour. Due to the elaborate nature of the song, it was recorded in various sections, held together by a drum click to keep all layers synchronised.
May, Mercury, and Taylor reportedly sang their vocal parts continually for ten to twelve hours a day. The entire piece took three weeks to record, and in some sections featured 180 separate overdubs. Since the studios of the time only offered 24-track analogue tape, it was necessary for the three to overdub themselves many times and "bounce" these down to successive sub-mixes. In the end, eighth-generation tapes were used. The various sections of tape containing the desired submixes had to be spliced (cut and assembled in the correct sequence). May recalled placing a tape in front of the light and being able to see through it, as they had been recording so intensely.
Producer Baker recalls that May's solo was done on only one track, rather than recording multiple tracks. May stated that he wanted to compose "a little tune that would be a counterpart to the main melody; I didn't just want to play the melody". The guitarist said that his better material stems from this way of working: in which he thought of the tune before playing it: "the fingers tend to be predictable unless being led by the brain.
User Album Review
None...
External Album Reviews
None...
User Comments
Available in:
Freddie Mercury wrote most of "Bohemian Rhapsody" at his home in London. The song's producer, Roy Thomas Baker, related how Mercury once played the opening ballad section on the piano for him: "He played the beginning on the piano, then stopped and said, 'And this is where the opera section comes in!' Then we went out to eat dinner." Guitarist Brian May says the band thought that Mercury's blueprint for the song was "intriguing and original, and worthy of work". According to May, much of Queen's material was written in the studio, but this song "was all in Freddie's mind" before they started. Music scholar Sheila Whiteley suggests that "the title draws strongly on contemporary rock ideology, the individualism of the bohemian artists' world, with rhapsody affirming the romantic ideals of art rock". Commenting on bohemianism, Judith Peraino said that "Mercury intended... to be a 'mock opera', something outside the norm of rock songs, and it does follow a certain operatic logic: choruses of multi-tracked voices alternate with aria-like solos, the emotions are excessive, the plot confusing."
According to Mercury's friend Chris Smith (a keyboard player in Smile), Mercury first started developing "Bohemian Rhapsody" in the late 1960s; Mercury used to play parts of songs he was writing at the piano, and one of his pieces, known simply as "The Cowboy Song", contained lyrics that ended up in the completed version produced years later, in 1975, specifically, "Mama... just killed a man."
Recording began at Rockfield Studio 1 near Monmouth on 24 August 1975, after a 3-week rehearsal at Penrhos Court, near Kington in Herefordshire. During the making of the track, an additional four studios (Roundhouse, SARM (East), Scorpion, and Wessex) were used. According to some band members, Mercury mentally prepared the song beforehand and directed the band throughout. Mercury used a Bechstein "concert grand" piano, which he played in the promotional video and the UK tour. Due to the elaborate nature of the song, it was recorded in various sections, held together by a drum click to keep all layers synchronised.
May, Mercury, and Taylor reportedly sang their vocal parts continually for ten to twelve hours a day. The entire piece took three weeks to record, and in some sections featured 180 separate overdubs. Since the studios of the time only offered 24-track analogue tape, it was necessary for the three to overdub themselves many times and "bounce" these down to successive sub-mixes. In the end, eighth-generation tapes were used. The various sections of tape containing the desired submixes had to be spliced (cut and assembled in the correct sequence). May recalled placing a tape in front of the light and being able to see through it, as they had been recording so intensely.
Producer Baker recalls that May's solo was done on only one track, rather than recording multiple tracks. May stated that he wanted to compose "a little tune that would be a counterpart to the main melody; I didn't just want to play the melody". The guitarist said that his better material stems from this way of working: in which he thought of the tune before playing it: "the fingers tend to be predictable unless being led by the brain.
User Album Review
None...
External Album Reviews
None...
User Comments
No comments yet...
Status
unlockedRank: External Links
