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First Released

Calendar Icon 2008

Genre

Genre Icon Rock

Mood

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Style

Style Icon Blues

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Release Format Icon Album

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Album Description
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Tracks 1 to 5 (minus "I'd Rather Go Blind" - see notes) make up Side 1 of her debut solo album "Christine Perfect" released 1970 in the UK on Blue Horizon 7-63860.
Tracks 6 to 11 make up Side 2. The album was reissued in 1976 as "The Christine Perfect Album" on Sire with a different cover.
Track 12 "Tell Me You Need Me" is a Previously Unreleased album outtake
Track 13 is her 2nd single around the album "I'm Too Far Gone (To Turn Around)". It's a slightly edited version on the album cut and was released February 1970 on Blue Horizon 57-3172 in the UK. The song is an Otis Clay/Benford Hendricks cover version made famous by Bobby Bland on his 1965 Duke Records hit (Duke 393). The album cut "Close To Me" was its B-side.
Tracks 14 to 16 are a Previously Unreleased BBC Session in Mono (see Notes)
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User Album Review
BBC Review

Although hardly essential, a very welcome listen.

Daryl Easlea 2008

Christine McVie (nee Perfect) is one of the great unsung talents of British blues and pop. Her work with Fleetwood Mac is often overshadowed by her more showy counterparts, Lindsay Buckingham, Peter Green or Stevie Nicks. She provided the spine to their material, and especially added a consistency during the group's wilderness years between 1970 and 1975 (for those of you who haven't had the pleasure, check out her contributions to 1973's Mystery To Me album).

This CD is her oft-reissued Christine Perfect album, recorded for Mike Vernon's Blue Horizon label in the period between her leaving Chicken Shack and before she joined her husband-to-be John McVie in Fleetwood Mac. McVie herself has frequently played down the record. Although certainly not a major work, it is a pretty textbook example of pleasant blues rock as the 60s became the 70s. To be honest, her tracks sound pretty much like later Fleetwood Mac album material, which given the presence of John McVie on bass and Danny Kirwan on guitar, is fairly understandable. Her version of Kirwan's When You Say is a standout, easily giving Fleetwood Mac's Then Play On version a run for its money. Perfect's piano work here strives to distil the very essence of the blues.

It is the additional material that highlights her at her best: the demo, Tell Me You Need Me, that was also demoed by Fleetwood Mac is by far and away the best track here. The song underlines the pleasure of her best work; languid, expressive, soulful. With three BBC session recordings here as well, The Complete Blue Horizon Recordings, although hardly essential, is a very welcome listen.



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