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Track List
01) Out in the Fields
02) Over the Hills and Far Away
03) Run for Cover
04) Parisienne Walkways (edit) (live)
05) Empty Rooms
06) The Loner
07) Military Man
08) After the War
09) Cold Day in Hell
10) Wild Frontier
11) Still in Love With You
12) Wishing Well
13) Friday on My Mind
14) Still Got the Blues (for You)
15) Ready for Love
Cd 2
01) Stop Messin' Around (live)
02) Out in the Fields (live)
03) Reach for the Sky (live)
04) The Loner (live)
05) All Messed Up (live)
06) Thunder Rising (live)
07) Over the Hills and Far Away (live)
08) Military Man (live)
09) Devil in Her Heart
10) Emerald
11) Livin' on Dreams (remix)
01) Out in the Fields
02) Over the Hills and Far Away
03) Run for Cover
04) Parisienne Walkways (edit) (live)
05) Empty Rooms
06) The Loner
07) Military Man
08) After the War
09) Cold Day in Hell
10) Wild Frontier
11) Still in Love With You
12) Wishing Well
13) Friday on My Mind
14) Still Got the Blues (for You)
15) Ready for Love
Cd 2
01) Stop Messin' Around (live)
02) Out in the Fields (live)
03) Reach for the Sky (live)
04) The Loner (live)
05) All Messed Up (live)
06) Thunder Rising (live)
07) Over the Hills and Far Away (live)
08) Military Man (live)
09) Devil in Her Heart
10) Emerald
11) Livin' on Dreams (remix)
4:16
5:20
4:11
5:48
4:15
5:53
5:37
4:05
4:24
4:13
5:55
4:04
4:14
4:09
4:25
4:07
5:31
5:09
12:28
6:16
5:45
6:57
6:24
3:23
4:03
4:03
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1998
Hard Rock
Gritty
Rock/Pop
---
Medium
Live
0 copies
Album Description
Available in:
Irish guitarist Gary Moore has built an entire career on stubborn self-recycling. Just when listeners think they have him pegged within a particular musical style (heavy metal guitar slinger, soft-hearted acoustic player, jazz fusion experimentalist, electric blues purist), the enduring six-string legend throws a curve ball and changes artistic direction -- seemingly just to spite his critics. Because of this, his extensive recorded legacy as a solo artist has defied adequate encapsulation into greatest-hits packages, and in America, where his profile has never exceeded the status of a connoisseur's favorite, taking a first stab at discovering his work becomes an even more vexing task. Out in the Fields: The Very Best of Gary Moore doesn't solve this problem, but it does alleviate it somewhat by concentrating on Moore's best-known guise among the aforementioned connoisseur club -- hard rock and heavy metal guitar shredder. Included here are the rare mainstream hits ("Out in the Fields," "Wild Frontier"), balls-out metal headbangers ("Run for Cover," "Military Man"), sublime ballads ("Parisienne Walkways," "Empty Rooms"), and later-day blues successes ("Cold Day in Hell," "Still Got the Blues"). In an imperfect world and a less-than-perfect career, this is about as spot-on as one can expect.
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Available in:
Irish guitarist Gary Moore has built an entire career on stubborn self-recycling. Just when listeners think they have him pegged within a particular musical style (heavy metal guitar slinger, soft-hearted acoustic player, jazz fusion experimentalist, electric blues purist), the enduring six-string legend throws a curve ball and changes artistic direction -- seemingly just to spite his critics. Because of this, his extensive recorded legacy as a solo artist has defied adequate encapsulation into greatest-hits packages, and in America, where his profile has never exceeded the status of a connoisseur's favorite, taking a first stab at discovering his work becomes an even more vexing task. Out in the Fields: The Very Best of Gary Moore doesn't solve this problem, but it does alleviate it somewhat by concentrating on Moore's best-known guise among the aforementioned connoisseur club -- hard rock and heavy metal guitar shredder. Included here are the rare mainstream hits ("Out in the Fields," "Wild Frontier"), balls-out metal headbangers ("Run for Cover," "Military Man"), sublime ballads ("Parisienne Walkways," "Empty Rooms"), and later-day blues successes ("Cold Day in Hell," "Still Got the Blues"). In an imperfect world and a less-than-perfect career, this is about as spot-on as one can expect.
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