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Track List
01) If There Were No Dreams
02) Mountains of Love
03) Don't Turn Around
04) Someone Who Believes in You
05) When You Miss Your Love
06) Fortune of the Night
07) One Hand, One Heart
08) Hooked on the Memory of You
09) Wish Everything Was Alright
10) The Way
11) Sweet L.A. Days
12) All I Really Need Is You
13) Lonely Lady #17
14) I Feel You
15) Common Ground
01) If There Were No Dreams
02) Mountains of Love
03) Don't Turn Around
04) Someone Who Believes in You
05) When You Miss Your Love
06) Fortune of the Night
07) One Hand, One Heart
08) Hooked on the Memory of You
09) Wish Everything Was Alright
10) The Way
11) Sweet L.A. Days
12) All I Really Need Is You
13) Lonely Lady #17
14) I Feel You
15) Common Ground
3:15
4:53
3:49
4:14
4:40
4:08
3:02
2:51
3:52
4:51
4:12
4:21
3:58
3:38
4:50
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1991
Pop
Gentle
Rock/Pop
---
Medium
Album
0 copies
Album Description
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Lovescape frames Neil Diamond's typically strong, if a little over-dramatic, vocal style with plinking keyboards, cooing backup singers, and hissing, breathy synthesizers. It's all drenched in the kind of reverb that screams "lite rock radio sap." Fortunately, Diamond's wine-stained voice is still full of emotion and more than capable of closing the album's gaping holes with a just-right emphasis here and a plaintive growl there. "Mountains of Love"'s sanitized world beat groove and keening horns would shrivel in anyone else's hands. But when Neil sings "Come on let's go/We've got room on that mountain of love," you want to believe in his feed-the-world message and follow him right to the top of the peak (how does he climb in those ankle boots?). A strummed acoustic guitar slows down the Hammond/Warren composition "Don't Turn Around," letting it breathe like the classic "Red Red Wine" -- Diamond's take has none of the mechanization of Ace of Base's later hit version. He has written or co-written 11 of Lovescape's 15 tracks, and it's his lilting, bruised heart duet with Kim Carnes that's the obvious standout. Elsewhere, he covers "One Hand, One Heart" from West Side Story, refueling the ballad with his typical message of unification and peace, and buoys the faint country feel of "When You Miss Your Love" with a deft vocal touch, never letting it drift into dangerous Elton John territory. Although heaping helpings of synthesizer do their worst to slow him down, Diamond does his best with Lovescape's material, and salvages a handful of memorable moments for longtime listeners or the casual fan.
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Available in:
Lovescape frames Neil Diamond's typically strong, if a little over-dramatic, vocal style with plinking keyboards, cooing backup singers, and hissing, breathy synthesizers. It's all drenched in the kind of reverb that screams "lite rock radio sap." Fortunately, Diamond's wine-stained voice is still full of emotion and more than capable of closing the album's gaping holes with a just-right emphasis here and a plaintive growl there. "Mountains of Love"'s sanitized world beat groove and keening horns would shrivel in anyone else's hands. But when Neil sings "Come on let's go/We've got room on that mountain of love," you want to believe in his feed-the-world message and follow him right to the top of the peak (how does he climb in those ankle boots?). A strummed acoustic guitar slows down the Hammond/Warren composition "Don't Turn Around," letting it breathe like the classic "Red Red Wine" -- Diamond's take has none of the mechanization of Ace of Base's later hit version. He has written or co-written 11 of Lovescape's 15 tracks, and it's his lilting, bruised heart duet with Kim Carnes that's the obvious standout. Elsewhere, he covers "One Hand, One Heart" from West Side Story, refueling the ballad with his typical message of unification and peace, and buoys the faint country feel of "When You Miss Your Love" with a deft vocal touch, never letting it drift into dangerous Elton John territory. Although heaping helpings of synthesizer do their worst to slow him down, Diamond does his best with Lovescape's material, and salvages a handful of memorable moments for longtime listeners or the casual fan.
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