(1 users) 
Cover NOT yet available in
Join Patreon for 4K upload/download access
Your Rating (Click a star below)
Track List
01) Miracle
02) You Got to Go
03) Satellite / Stealing Time
04) Thing Called Love
05) Can't Sleep
06) Sun & Moon
07) Good for Me
08) Sirens of the Sea
09) Love Is Not Enough
10) On a Good Day
11) Alone Tonight
12) Making Plans
01) Miracle
02) You Got to Go
03) Satellite / Stealing Time
04) Thing Called Love
05) Can't Sleep
06) Sun & Moon
07) Good for Me
08) Sirens of the Sea
09) Love Is Not Enough
10) On a Good Day
11) Alone Tonight
12) Making Plans
4:54
5:38
5:04
4:20
4:40
4:48
6:04
4:50
5:31
4:23
4:37
4:24
Data Complete
90%
Total Rating
90%Total Rating
(2 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2014
Trance
Rousing
Electronic
Youth
Medium
Album
0 copies
Album Description
Available in:
A new concert documentary directed by Paul Dugdale (The Rolling Stones' ‘Olé, Olé, Olé’) for Scheme Engine and Myles Desenberg for Archer’s Mark (BAFTA nominated ‘Notes On Blindness’) follows the group’s unlikely journey from the DJ booth to the Hollywood Bowl.
Full ‘Live At The Hollywood Bowl’ concert film available separately or bundled with 'Giving Up The Day Job’ documentary on Vimeo On Demand, Anjuna Music Store and iTunes as an iTunes Extra
User Album Review
The trio Above & Beyond originated as an electronic dance music group, and became popular in that iteration. In 2014 the group made an album called “Acoustic,” which featured them playing conventional instruments rather than samplers and decks. In this film, the group tours in support of that and similar work with a large retinue of singers and instrumentalists, culminating in a gig at the Hollywood Bowl.
Their music here, largely downbeat but relentlessly anodyne, is not to my taste. During the song “On My Way to Heaven,” Cobi, a vocalist for the touring band, looks to his right and proudly says “Ladies and gentlemen, Jono on the Rhodes,” and Jono Grant, a member of the core trio, plays an electric piano solo that I think I first heard in the lounge of the Las Vegas Hilton in 1989. Still, Above & Beyond’s audience, a not insubstantial one, seems unfailingly moved by its work.
Everyone in the group gets along with each other, and with everybody else. The movie, directed by Myles Desenberg and Paul Dugdale, frequently counts down to the Hollywood Bowl show as it chronicles rehearsals and other tour stops, but there’s no real suspense, because the footage from that show is interspersed throughout the movie from the very beginning, and the show seems to have gone off without a hitch. The movie is slightly prone to such fallacies, starting with the title. If you’re making your living creating music and you adjust your instrumentation, that’s not really giving up your day job. But this will not likely bother the movie’s intended audience: Above & Beyond fans for whom this film can serve as a kind of cinematic Snuggie.
SOURCE: https://www.nytimes.com/2018/02/01/movies/above-and-beyond-acoustic-giving-up-the-day-job-review.html
External Album Reviews
None...
User Comments
Available in:
A new concert documentary directed by Paul Dugdale (The Rolling Stones' ‘Olé, Olé, Olé’) for Scheme Engine and Myles Desenberg for Archer’s Mark (BAFTA nominated ‘Notes On Blindness’) follows the group’s unlikely journey from the DJ booth to the Hollywood Bowl.
Full ‘Live At The Hollywood Bowl’ concert film available separately or bundled with 'Giving Up The Day Job’ documentary on Vimeo On Demand, Anjuna Music Store and iTunes as an iTunes Extra
User Album Review
The trio Above & Beyond originated as an electronic dance music group, and became popular in that iteration. In 2014 the group made an album called “Acoustic,” which featured them playing conventional instruments rather than samplers and decks. In this film, the group tours in support of that and similar work with a large retinue of singers and instrumentalists, culminating in a gig at the Hollywood Bowl.
Their music here, largely downbeat but relentlessly anodyne, is not to my taste. During the song “On My Way to Heaven,” Cobi, a vocalist for the touring band, looks to his right and proudly says “Ladies and gentlemen, Jono on the Rhodes,” and Jono Grant, a member of the core trio, plays an electric piano solo that I think I first heard in the lounge of the Las Vegas Hilton in 1989. Still, Above & Beyond’s audience, a not insubstantial one, seems unfailingly moved by its work.
Everyone in the group gets along with each other, and with everybody else. The movie, directed by Myles Desenberg and Paul Dugdale, frequently counts down to the Hollywood Bowl show as it chronicles rehearsals and other tour stops, but there’s no real suspense, because the footage from that show is interspersed throughout the movie from the very beginning, and the show seems to have gone off without a hitch. The movie is slightly prone to such fallacies, starting with the title. If you’re making your living creating music and you adjust your instrumentation, that’s not really giving up your day job. But this will not likely bother the movie’s intended audience: Above & Beyond fans for whom this film can serve as a kind of cinematic Snuggie.
SOURCE: https://www.nytimes.com/2018/02/01/movies/above-and-beyond-acoustic-giving-up-the-day-job-review.html
External Album Reviews
None...
User Comments
No comments yet...
Status
unlockedRank: External Links
