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Track List
01) Night Train
02) Get Up Jonah
03) Pacing the Cage
04) Mistress of Storms
05) The Whole Night Sky
06) The Coming Rains
07) Birmingham Shadows
08) The Mines of Mozambique
09) Live on My Mind
10) The Charity of Night
11) Strange Waters
01) Night Train
02) Get Up Jonah
03) Pacing the Cage
04) Mistress of Storms
05) The Whole Night Sky
06) The Coming Rains
07) Birmingham Shadows
08) The Mines of Mozambique
09) Live on My Mind
10) The Charity of Night
11) Strange Waters
6:13
5:01
4:38
6:08
3:53
4:45
9:38
6:12
6:43
7:52
5:48
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1996
Rock
Relaxed
Folk
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Album
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Album Description
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"The Charity of Night" is the nineteenth full-length studio album by Canadian singer/songwriter Bruce Cockburn. The album was released in 1996 by True North Records.
At once a departure and a return, The Charity of Night represents a change from the folk rock stylings of his previous two albums, having more in common with earlier jazz-inflected works such as Night Vision. Shades of light and shadow play through the album's theme of reflection and memory:
From a 1999 interview with Susan Adams Kauffman: Cockburn says "The subtlety of the way things are lit at night has always struck me as attractive. I also appreciate the way darkness provides refuge--whether it's the refuge of concealment or the implication of rest and peace that goes with night.
Darkness just is what it is--another place you can be, or another thing you can use, or another quality you can appreciate. Sometimes the road does lead through dark places, and it's inescapable. But then, sometimes the darkness is comforting and protective in those dark places. It need not be seen as a source of fear".
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Available in:
"The Charity of Night" is the nineteenth full-length studio album by Canadian singer/songwriter Bruce Cockburn. The album was released in 1996 by True North Records.
At once a departure and a return, The Charity of Night represents a change from the folk rock stylings of his previous two albums, having more in common with earlier jazz-inflected works such as Night Vision. Shades of light and shadow play through the album's theme of reflection and memory:
From a 1999 interview with Susan Adams Kauffman: Cockburn says "The subtlety of the way things are lit at night has always struck me as attractive. I also appreciate the way darkness provides refuge--whether it's the refuge of concealment or the implication of rest and peace that goes with night.
Darkness just is what it is--another place you can be, or another thing you can use, or another quality you can appreciate. Sometimes the road does lead through dark places, and it's inescapable. But then, sometimes the darkness is comforting and protective in those dark places. It need not be seen as a source of fear".
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