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Track List
01) Funny Feeling
02) Living in the Footsteps of Another Man
03) Enchanted Lady
04) New Love
05) Riding on a Train
06) Give a Little Peace
07) Tribute (Right on)
08) I Really Miss You
09) Justice for the World
10) Something Else
01) Funny Feeling
02) Living in the Footsteps of Another Man
03) Enchanted Lady
04) New Love
05) Riding on a Train
06) Give a Little Peace
07) Tribute (Right on)
08) I Really Miss You
09) Justice for the World
10) Something Else
4:35
3:45
4:58
3:54
5:20
4:20
5:11
4:39
5:46
5:46
Data Complete
50%
Total Rating
50%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1988
R&B
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Medium
Album
0 copies
Album Description 
To Whom It May Concern est le premier album du groupe britannique R&B/pop The Pasadenas, sorti en 1988. L'album contient trois des 40 meilleurs succès britanniques : "Tribute (Right On)" (n° 5), "Riding on a Train" (n° 13) et "Enchanted Lady" (n° 31). "Tribute (Right On)" a également atteint la 52e place du Billboard Hot 100 américain.
User Album Review
Spin called the album "less tightly footnoted than the Fine Young Cannibals, but also less charismatic." The Washington Post wrote: "A smooth, pleasant but not especially involving pop-soul platter, this is zipless funk, airbrushed for maximum crossover potential. As with much Britsoul, this is less soul music than it is music about soul music."The New York Times wrote that it "harks back to ultrasmooth vocal-harmony groups of the 70's like the Spinners and Earth, Wind and Fire, but lacks memorable melodies."
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User Comments
To Whom It May Concern est le premier album du groupe britannique R&B/pop The Pasadenas, sorti en 1988. L'album contient trois des 40 meilleurs succès britanniques : "Tribute (Right On)" (n° 5), "Riding on a Train" (n° 13) et "Enchanted Lady" (n° 31). "Tribute (Right On)" a également atteint la 52e place du Billboard Hot 100 américain.
User Album Review
Spin called the album "less tightly footnoted than the Fine Young Cannibals, but also less charismatic." The Washington Post wrote: "A smooth, pleasant but not especially involving pop-soul platter, this is zipless funk, airbrushed for maximum crossover potential. As with much Britsoul, this is less soul music than it is music about soul music."The New York Times wrote that it "harks back to ultrasmooth vocal-harmony groups of the 70's like the Spinners and Earth, Wind and Fire, but lacks memorable melodies."
External Album Reviews
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