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Track List
01) Metasleuth
02) My Teeth
03) Snakes Everywhere
04) The Train
05) Sneaky Bastard
06) The Escape
07) The Gaze of Raccoons
08) Interlude
09) Satan's Shiny Shoes
10) Togakure Ryu
11) Catacombs
12) Entry to Höllental Depths
01) Metasleuth
02) My Teeth
03) Snakes Everywhere
04) The Train
05) Sneaky Bastard
06) The Escape
07) The Gaze of Raccoons
08) Interlude
09) Satan's Shiny Shoes
10) Togakure Ryu
11) Catacombs
12) Entry to Höllental Depths
4:43
2:25
2:52
2:32
4:29
3:31
3:13
0:47
2:26
2:01
2:18
0:36
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2013
Video Game Music
Trippy
Electronic
---
Fast
Album
0 copies
Album Description
Available in:
The first album was mainly an experiment with the software and the sounds. This album is where the story truly begins. I won't give away everything (in case we make a game or music video or something), but I will lay some groundwork:
The hero seeks to slay the devil. He associates most of the evil in the world with Satan. He and his reluctant associate, the Sleuth, find themselves in some sort of netherworld where they encounter all sorts of interesting characters, conundrums, and traps. Each song is a different chapter in their journey. Some songs represent a new character, some an obstacle, and some a leg of the journey.
This album took a little longer than expected to create. It can be difficult to balance work and creative time. I would end up creating in bursts after forcing myself to take a break from the regular work. Most of the songs were made in one or two days while My Teeth was created in just a few hours. Metasleuth and Snakes Everywhere were slow going. I started them both at about the same time and hopped back and forth. Then came the move. After everything was said and done those two songs were worked on using three different computers. My Teeth, The Gaze of Raccoons, Satan's Shiny Shoes, Catacombs, and Entry to Höllental Depths were all totally created using the Honey Badger while staying at Pistol's house. We were only in town for a week, but all of those songs were completed by the time we left. If we could have stayed a month I might have 20 more songs. Our new forest office is more conducive to creative work, so the third album should take less time than this one did.
Chris Bonnell (www.ctbonnell.com) is responsible for the artwork. He also helped with the story. Pistol and Qain helped a great deal with the story as well. Pistol is totally responsible for Snakes Everywhere. The song was going nowhere until she outlined a story for it. Perhaps we will soon do something with this story.
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User Comments
Available in:
The first album was mainly an experiment with the software and the sounds. This album is where the story truly begins. I won't give away everything (in case we make a game or music video or something), but I will lay some groundwork:
The hero seeks to slay the devil. He associates most of the evil in the world with Satan. He and his reluctant associate, the Sleuth, find themselves in some sort of netherworld where they encounter all sorts of interesting characters, conundrums, and traps. Each song is a different chapter in their journey. Some songs represent a new character, some an obstacle, and some a leg of the journey.
This album took a little longer than expected to create. It can be difficult to balance work and creative time. I would end up creating in bursts after forcing myself to take a break from the regular work. Most of the songs were made in one or two days while My Teeth was created in just a few hours. Metasleuth and Snakes Everywhere were slow going. I started them both at about the same time and hopped back and forth. Then came the move. After everything was said and done those two songs were worked on using three different computers. My Teeth, The Gaze of Raccoons, Satan's Shiny Shoes, Catacombs, and Entry to Höllental Depths were all totally created using the Honey Badger while staying at Pistol's house. We were only in town for a week, but all of those songs were completed by the time we left. If we could have stayed a month I might have 20 more songs. Our new forest office is more conducive to creative work, so the third album should take less time than this one did.
Chris Bonnell (www.ctbonnell.com) is responsible for the artwork. He also helped with the story. Pistol and Qain helped a great deal with the story as well. Pistol is totally responsible for Snakes Everywhere. The song was going nowhere until she outlined a story for it. Perhaps we will soon do something with this story.
User Album Review
N/A
External Album Reviews
None...
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