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Track List
01) Time Is on My Side
02) Heart of Stone
03) Play With Fire
04) (I Can't Get No) Satisfaction
05) As Tears Go By
06) Get Off of My Cloud
07) Mother's Little Helper
08) 19th Nervous Breakdown
09) Paint It, Black
10) Under My Thumb
11) Ruby Tuesday
12) Let's Spend the Night Together
Cd 2
01) Jumpin' Jack Flash
02) Street Fighting Man
03) Sympathy for the Devil
04) Honky Tonk Women
05) Gimme Shelter
06) Midnight Rambler
07) You Can't Always Get What You Want
08) Brown Sugar
09) Wild Horses
01) Time Is on My Side
02) Heart of Stone
03) Play With Fire
04) (I Can't Get No) Satisfaction
05) As Tears Go By
06) Get Off of My Cloud
07) Mother's Little Helper
08) 19th Nervous Breakdown
09) Paint It, Black
10) Under My Thumb
11) Ruby Tuesday
12) Let's Spend the Night Together
Cd 2
01) Jumpin' Jack Flash
02) Street Fighting Man
03) Sympathy for the Devil
04) Honky Tonk Women
05) Gimme Shelter
06) Midnight Rambler
07) You Can't Always Get What You Want
08) Brown Sugar
09) Wild Horses
2:59
2:44
2:11
3:46
2:44
2:55
2:47
3:57
3:45
3:41
3:17
3:37
3:41
3:18
6:25
3:03
4:33
9:13
7:31
3:49
5:40
Data Complete
70%
Total Rating
70%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1971
Rock
Energetic
Rock/Pop
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Compilation
0 copies
Album Description
Available in:
This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting -- and all influential and important -- songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos. On its initial release, Hot Rocks sold well, not only as a unique compilation but also as a panorama of the 1960s. The only flaw was that it didn't give a good look at the Stones' full musical history, ignoring their early blues period and the psychedelic era. There are also some anomalies in Hot Rocks' history for the collector -- the very first pressings included an outtake of "Brown Sugar" featuring Eric Clapton that was promptly replaced; and the original European CD version, issued as two separate discs on the Decca label, was also different from its American counterpart, featuring a version of "Satisfaction" mastered in stereo and putting the guitars on separate channels for the first time. Those musicologist concerns aside, this is still an exciting assembly of material.
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Available in:
This two-LP/two-CD set is both a lot more and a bit less than what it seems. It is seven years' worth of mostly very high-charting -- and all influential and important -- songs, leaving out some singles in favor of well-known album tracks, and in the process, giving an overview not just of the Rolling Stones' hits but of their evolving image. One hears them change from loud R&B-inspired rockers covering others' songs ("Time Is on My Side") into originators in their own right ("Satisfaction"); then into tastemakers and style-setters with a particularly decadent air ("Get Off of My Cloud," "19th Nervous Breakdown"); and finally into self-actualized rebel-poets ("Jumpin' Jack Flash," "Midnight Rambler") and Shaman-like symbols of chaos. On its initial release, Hot Rocks sold well, not only as a unique compilation but also as a panorama of the 1960s. The only flaw was that it didn't give a good look at the Stones' full musical history, ignoring their early blues period and the psychedelic era. There are also some anomalies in Hot Rocks' history for the collector -- the very first pressings included an outtake of "Brown Sugar" featuring Eric Clapton that was promptly replaced; and the original European CD version, issued as two separate discs on the Decca label, was also different from its American counterpart, featuring a version of "Satisfaction" mastered in stereo and putting the guitars on separate channels for the first time. Those musicologist concerns aside, this is still an exciting assembly of material.
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