Album Title
Living in a Box
Artist Icon Living in a Box (1987)
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First Released

Calendar Icon 1987

Genre

Genre Icon Pop

Mood

Mood Icon Energetic

Style

Style Icon Rock/Pop

Theme

Theme Icon ---

Tempo

Speed Icon Medium

Release Format

Release Format Icon Album

Record Label Release

Speed Icon Chrysalis

World Sales Figure

Sales Icon 0 copies

Album Description
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If Duran Duran was a mix of Chic and Roxy, then Living in a Box was a new romantic band (minus the makeup) with a collection of soul and funk records (and sharp suits). Their first album is a fast-paced affair mostly dated now due to Marcus Vere's overly '80s keyboard sounds. Aside from the abysmal "Going for the Big One," which should never have seen the outside of the studio, there are still some good examples of post new romantic mid-'80s funk. The first four -- comprising the title track, "Love Is the Art," "So the Story Goes," and the ballad "From Beginning to End" -- all hold up reasonably well, and strangely enough sounded like they'd been around for years even at the time (particularly "Story," in that the keyboards are kept to a minimal ambient wash with Richard Darbyshire's husky vocals to the front). Also worth noting are "Scales of Justice" and "Can't Stop the Wheel," which proved their capabilities to further heights in the Steely Dan/Michael McDonald vein. A pity that "Ecstasy" (wasted as a B-side) and the 7" versions of "Love Is the Art" and "So the Story Goes" with Bobby Womack are missing in action, though.
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User Album Review
If Duran Duran was a mix of Chic and Roxy, then Living in a Box was a new romantic band (minus the makeup) with a collection of soul and funk records (and sharp suits). Their first album is a fast-paced affair mostly dated now due to Marcus Vere's overly '80s keyboard sounds. Aside from the abysmal "Going for the Big One," which should never have seen the outside of the studio, there are still some good examples of post new romantic mid-'80s funk. The first four -- comprising the title track, "Love Is the Art," "So the Story Goes," and the ballad "From Beginning to End" -- all hold up reasonably well, and strangely enough sounded like they'd been around for years even at the time (particularly "Story," in that the keyboards are kept to a minimal ambient wash with Richard Darbyshire's husky vocals to the front). Also worth noting are "Scales of Justice" and "Can't Stop the Wheel," which proved their capabilities to further heights in the Steely Dan/Michael McDonald vein. A pity that "Ecstasy" (wasted as a B-side) and the 7" versions of "Love Is the Art" and "So the Story Goes" with Bobby Womack are missing in action, though.


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