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Track List
01) Good Times
02) Lost in the Shadows (The Lost Boys)
03) Don't Let the Sun Go Down on Me
04) Laying Down the Law
05) People Are Strange
06) Cry Little Sister (Theme From The Lost Boys)
07) Power Play
08) I Still Believe
09) Beauty Has Her Way
10) To the Shock of Miss Louise
01) Good Times
02) Lost in the Shadows (The Lost Boys)
03) Don't Let the Sun Go Down on Me
04) Laying Down the Law
05) People Are Strange
06) Cry Little Sister (Theme From The Lost Boys)
07) Power Play
08) I Still Believe
09) Beauty Has Her Way
10) To the Shock of Miss Louise
3:52
6:36
6:11
4:29
3:39
4:47
3:59
4:52
3:58
1:24
Data Complete
40%
Total Rating
40%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1987
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Soundtrack
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Album Description
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Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface -- but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad. Singer Gerald McMann's pained phrasing and creepy lyrics, and a chilling chorus sung by what sounds like disembodied children, exemplify the best parts of the movie and the soundtrack
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Joel Schumacher's 1987 film The Lost Boys capitalized on a temporary lull in horror movies in the late '80s and created a heavily music-video-influenced vampire homage with enough campy humor, heavy metal costumes, and hunky stars to put a fresh spin on the genre. An amusing piece of eye candy spiked by a few creepy moments, the movie, in typical '80s style, relies heavily on the soundtrack to bolster its emotional core. The soundtrack, like the film, works great on the surface -- but don't go much deeper. A mix of covers and bombastic '80s pop originals, the songs work best when they concentrate on the horror factor. Echo & the Bunnymen turn in an excellent cover of the Doors' "People Are Strange" that has a bouncier, more melodic touch than the original. Jimmy Barnes and INXS' "Good Times" is an energetic rocker used to personify the party-hardy SoCal atmosphere of the film. The strongest song is the movie's theme, "Cry Little Sister," a goth-influenced midtempo ballad. Singer Gerald McMann's pained phrasing and creepy lyrics, and a chilling chorus sung by what sounds like disembodied children, exemplify the best parts of the movie and the soundtrack
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