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Track List
01) Overture
02) As If We Never Said Goodbye
03) Opening Remarks
04) I'm Still Here / Everybody Says Don't / Don'
05) Can't Help Lovin' That Man
06) I'll Know
07) People
08) Lover Man
09) Therapist Dialogue #1
10) Will He Like Me?
11) Therapist Dialogue #2
12) He Touched Me
13) Evergreen
14) Therapist Dialogue #3
15) The Man That Got Away
16) On a Clear Day (You Can See Forever)
Cd 2
01) Entr'acte
02) The Way We Were
03) You Don't Bring Me Flowers
04) Lazy Afternoon
05) Disney medley: Once Upon a Dream / When You Wish U
06) Not While I'm Around
07) Ordinary Miracles
08) Yentl medley: Where Is It Written? / Papa, Can You
09) Happy Days Are Here Again
10) My Man
11) For All We Know
12) Somewhere
01) Overture
02) As If We Never Said Goodbye
03) Opening Remarks
04) I'm Still Here / Everybody Says Don't / Don'
05) Can't Help Lovin' That Man
06) I'll Know
07) People
08) Lover Man
09) Therapist Dialogue #1
10) Will He Like Me?
11) Therapist Dialogue #2
12) He Touched Me
13) Evergreen
14) Therapist Dialogue #3
15) The Man That Got Away
16) On a Clear Day (You Can See Forever)
Cd 2
01) Entr'acte
02) The Way We Were
03) You Don't Bring Me Flowers
04) Lazy Afternoon
05) Disney medley: Once Upon a Dream / When You Wish U
06) Not While I'm Around
07) Ordinary Miracles
08) Yentl medley: Where Is It Written? / Papa, Can You
09) Happy Days Are Here Again
10) My Man
11) For All We Know
12) Somewhere
5:47
4:20
1:13
4:25
4:29
2:48
4:18
1:17
1:24
1:59
1:00
2:51
3:17
1:54
4:05
3:29
3:02
3:15
4:44
4:30
5:07
3:03
4:35
9:18
3:40
3:18
5:04
5:16
Data Complete
60%
Total Rating
60%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1994
Jazz
Bittersweet
Rock/Pop
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Live
0 copies
Album Description
Available in:
Barbra Streisand's fourth live album was the only one to be drawn from a concert tour and not a one-time occasion, but it is no less special for that. For her first tour in 28 years, Streisand didn't just come out and sing her greatest hits for an hour-and-a-half. Instead, she wove a selection of her best-known songs together with what she considered career highlights and added new and special material, starting with the customized lyrics of "As If We Never Said Goodbye" and "I'm Still Here," and including "Ordinary Miracles," by her conductor, Marvin Hamlisch and her house lyricists, Alan and Marilyn Bergman. The show was a musical autobiography crafted (as her 1991 boxed set Just for the Record had been) for fans who would catch the references and agree with the artist on her viewpoints about her life, her career, the entertainment business, and politics. (And it was an abridged résumé -- rockers like "Stoney End" and disco hits like "Enough Is Enough" were omitted.) There was no denying that the 52-year-old singer, backed by a large orchestra and singing the songs that had kept her at the forefront of popular music for 30 years, was an impressive concert performer. But Streisand insisted that her listeners also encounter everything from her film directing ambitions to her psychoanalyst which made this an idiosyncratic performance from an artist determined to make public art out of her private story. As a result, The Concert may not be the place for neophytes to be introduced to her, though for fans it was the culmination of decades of wishing.
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Barbra Streisand's fourth live album was the only one to be drawn from a concert tour and not a one-time occasion, but it is no less special for that. For her first tour in 28 years, Streisand didn't just come out and sing her greatest hits for an hour-and-a-half. Instead, she wove a selection of her best-known songs together with what she considered career highlights and added new and special material, starting with the customized lyrics of "As If We Never Said Goodbye" and "I'm Still Here," and including "Ordinary Miracles," by her conductor, Marvin Hamlisch and her house lyricists, Alan and Marilyn Bergman. The show was a musical autobiography crafted (as her 1991 boxed set Just for the Record had been) for fans who would catch the references and agree with the artist on her viewpoints about her life, her career, the entertainment business, and politics. (And it was an abridged résumé -- rockers like "Stoney End" and disco hits like "Enough Is Enough" were omitted.) There was no denying that the 52-year-old singer, backed by a large orchestra and singing the songs that had kept her at the forefront of popular music for 30 years, was an impressive concert performer. But Streisand insisted that her listeners also encounter everything from her film directing ambitions to her psychoanalyst which made this an idiosyncratic performance from an artist determined to make public art out of her private story. As a result, The Concert may not be the place for neophytes to be introduced to her, though for fans it was the culmination of decades of wishing.
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None...
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