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Track List
01) Hells Bells
02) Shoot to Thrill 
03) What Do You Do for Money Honey
04) Given the Dog a Bone
05) Let Me Put My Love Into You
06) Back in Black
07) You Shook Me All Night Long
08) Have a Drink on Me
09) Shake a Leg
10) Rock and Roll Ain't Noise Pollution
01) Hells Bells
02) Shoot to Thrill
03) What Do You Do for Money Honey
04) Given the Dog a Bone
05) Let Me Put My Love Into You
06) Back in Black
07) You Shook Me All Night Long
08) Have a Drink on Me
09) Shake a Leg
10) Rock and Roll Ain't Noise Pollution
5:12
5:17
3:35
3:31
4:15
4:15
3:30
3:58
4:05
4:26
Data Complete
80%
Total Rating
80%Total Rating
(4 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1980
Hard Rock
Energetic
Rock/Pop
---
Medium
Album
0 copies
Album Description
Available in:
Back in Black é o sétimo álbum de estúdio da banda australiana AC/DC.
Foi lançado em 25 de julho de 1980 e, até hoje, já vendeu 50 milhões de cópias, sendo o álbum de rock mais vendido de todos os tempos e encontra-se na lista dos álbuns mais vendidos do mundo, na segunda posição, atrás apenas de Thriller, de Michael Jackson. O álbum até hoje já vendeu mais de 22 milhões de cópias nos Estados Unidos. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.
Depois do sucesso de Highway to Hell, a banda começou a desenvolver o álbum, após a morte de seu vocalista, Bon Scott, cuja causa oficial da morte foi de "intoxicação alcoólica aguda". Quando Scott foi substituído por Brian Johnson, o álbum foi totalmente refeito, com hits como "Hells Bells", "You shook me All Night Long" e a faixa que dá título ao álbum, "Back in Black". O álbum se tornou um enorme sucesso nos Estados Unidos e em outras partes do mundo. O álbum foi remasterizado, e relançado duas vezes no box bonfire de (1997), e em 2003, como parte da série de remasterizados da banda.
User Album Review
The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level -- black is a funeral cover, hell's bells certainly signify death -- but this isn't filled with mournful songs about the departed. It's a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson's screech is a dead ringer for Scott's growl. Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He's driven by the same obsessions -- sex and drink and rock & roll, basically -- but there isn't nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.
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User Comments
Available in:
Back in Black é o sétimo álbum de estúdio da banda australiana AC/DC.
Foi lançado em 25 de julho de 1980 e, até hoje, já vendeu 50 milhões de cópias, sendo o álbum de rock mais vendido de todos os tempos e encontra-se na lista dos álbuns mais vendidos do mundo, na segunda posição, atrás apenas de Thriller, de Michael Jackson. O álbum até hoje já vendeu mais de 22 milhões de cópias nos Estados Unidos. Este álbum está na lista dos 200 álbuns definitivos no Rock and Roll Hall of Fame.
Depois do sucesso de Highway to Hell, a banda começou a desenvolver o álbum, após a morte de seu vocalista, Bon Scott, cuja causa oficial da morte foi de "intoxicação alcoólica aguda". Quando Scott foi substituído por Brian Johnson, o álbum foi totalmente refeito, com hits como "Hells Bells", "You shook me All Night Long" e a faixa que dá título ao álbum, "Back in Black". O álbum se tornou um enorme sucesso nos Estados Unidos e em outras partes do mundo. O álbum foi remasterizado, e relançado duas vezes no box bonfire de (1997), e em 2003, como parte da série de remasterizados da banda.
User Album Review
The first sound on Back in Black is the deep, ominous drone of church bells -- or "Hell's Bells," as it were, opening the album and AC/DC's next era with a fanfare while ringing a fond farewell to Bon Scott, their late lead singer who partied himself straight to hell. But this implies that Back in Black is some kind of tribute to Scott, which may be true on a superficial level -- black is a funeral cover, hell's bells certainly signify death -- but this isn't filled with mournful songs about the departed. It's a more fitting tribute, actually, since AC/DC not only carried on without him, but they delivered a record that to the casual ear sounds like the seamless successor to Highway to Hell, right down to how Brian Johnson's screech is a dead ringer for Scott's growl. Most listeners could be forgiven for thinking that Johnson was Scott, but Johnson is different than Bon. He's driven by the same obsessions -- sex and drink and rock & roll, basically -- but there isn't nearly as much malevolence in his words or attitude as there was with Scott. Bon sounded like a criminal, Brian sounds like a rowdy scamp throughout Back in Black, which helps give it a real party atmosphere. Of course, Johnson shouldn't be given all the credit for Back in Black, since Angus and Malcolm carry on with the song-oriented riffing that made Highway to Hell close to divine. Song for song, they deliver not just mammoth riffs but songs that are anthems, from the greasy "Shoot to Thrill" to the pummeling "Back in Black," which pales only next to "You Shook Me All Night Long," the greatest one-night-stand anthem in rock history. That tawdry celebration of sex is what made AC/DC different from all other metal bands -- there was no sword & sorcery, no darkness, just a rowdy party, and they never held a bigger, better party than they did on Back in Black.
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