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Track List
01) Keep the Circle Turning
02) You Are What You Do
03) Willie and the Hand Jive
04) Didn't Have to Happen
05) Rock Me Baby
06) Do You Know what I Mean
07) Ya Ya
08) Can I Get a Witness
09) Oak Fire
10) I Don't Want Her
01) Keep the Circle Turning
02) You Are What You Do
03) Willie and the Hand Jive
04) Didn't Have to Happen
05) Rock Me Baby
06) Do You Know what I Mean
07) Ya Ya
08) Can I Get a Witness
09) Oak Fire
10) I Don't Want Her
2:44
3:01
3:03
2:33
2:32
3:13
2:21
3:05
2:55
2:23
Data Complete
30%
Total Rating
30%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1971
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Album
0 copies
Album Description
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Following the success of his third album, Lee Michaels continued the path of a solo artist -- solo meaning that most of the sounds on the record were primarily recorded by Lee alone. Organ (Hammond and pipe), piano, harpsichord, and organ bass create a heavy, dense foundation. Michaels had a unique sound, and along with his larynx-shredding vocals, the results are staggering. Aided by Joel Larson on drums, Michaels does a lot of covers on this record -- including "Willie and the Hand Jive," "Ya Ya," and "Can I Get a Witness." Michaels renders them all in an infectious, gospel style. There are only a few originals on the album, and one, "Do You Know What I Mean" (which really sounded like a cover), was a monstrous hit and cemented Lee Michaels as one of the best white blues performers of the period, along with Joe Cocker and Steve Winwood.
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Following the success of his third album, Lee Michaels continued the path of a solo artist -- solo meaning that most of the sounds on the record were primarily recorded by Lee alone. Organ (Hammond and pipe), piano, harpsichord, and organ bass create a heavy, dense foundation. Michaels had a unique sound, and along with his larynx-shredding vocals, the results are staggering. Aided by Joel Larson on drums, Michaels does a lot of covers on this record -- including "Willie and the Hand Jive," "Ya Ya," and "Can I Get a Witness." Michaels renders them all in an infectious, gospel style. There are only a few originals on the album, and one, "Do You Know What I Mean" (which really sounded like a cover), was a monstrous hit and cemented Lee Michaels as one of the best white blues performers of the period, along with Joe Cocker and Steve Winwood.
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