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Track List
01) Is Chicago, Is Not Chicago
02) Sugar Free Jazz
03) Casiotone Nation
04) Blueeyed Devil
05) Bus to Beelzebub
06) True Dreams of Wichita
07) Screenwriter's Blues
08) Moon Sammy
09) Supra Genius
10) City of Motors
11) Uh, Zoom Zip
12) Down to This
13) Mr. Bitterness
14) Janine
01) Is Chicago, Is Not Chicago
02) Sugar Free Jazz
03) Casiotone Nation
04) Blueeyed Devil
05) Bus to Beelzebub
06) True Dreams of Wichita
07) Screenwriter's Blues
08) Moon Sammy
09) Supra Genius
10) City of Motors
11) Uh, Zoom Zip
12) Down to This
13) Mr. Bitterness
14) Janine
3:48
3:55
3:50
4:12
4:33
5:00
5:08
4:09
3:59
4:38
3:56
3:49
5:32
4:58
Data Complete
50%
Total Rating
50%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1994
Experimental
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Jazz
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Medium
Album
0 copies
Album Description
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Ruby Vroom was Soul Coughing's 1994 debut album. The album's sound is a mixture of sample-based tunes (loops of Raymond Scott's "Powerhouse" on "Bus to Beelzebub", Toots and the Maytals, Howlin' Wolf, The Andrews Sisters, and The Roches on "Down to This", and a loop of sampler player Mark De Gli Antoni's orchestral horns on "Screenwriter's Blues", among others). It also features guitar-based tunes like "Janine", "Moon Sammy", and "Supra Genius" and jazzy, upright-bass-fueled songs that often slyly quoted other material—the theme from Courageous Cat on "Is Chicago, Is Not Chicago", Thelonious Monk's "Misterioso" on "Casiotone Nation", and Bobby McFerrin's cover of Joan Armatrading's "Opportunity" on "Uh, Zoom Zip".
The album's lone guest is Rachel Benbow Murdy, band founder Mike Doughty's ex-girlfriend, who supplies a vocal on "Janine". Doughty had Murdy go out to a payphone in Sheridan Square in New York and improvise a long, meandering song into their answering machine. Recorded a year before the Ruby sessions, Doughty and bass player Sebastian Steinberg recorded the tune at the avant-garde jazz club The Knitting Factory during the daytime, when the club was closed, with club soundperson James McLean. McLean put a mic on the answering machine, which Doughty had brought to the session.
Ruby was named after Ruby Froom, daughter of record producer Mitchell Froom—a frequent collaborator of Ruby Vroom producer Tchad Blake—and singer/songwriter Suzanne Vega.
The album was recorded at Sunset Sound Factory in Hollywood, Blake and Froom's usual haunt—a storage room near the studio's lounge was filled with vintage keyboards and road cases filled with toys—whistles, baby rattles, children's toy xylophones. Many of these ended up in the songs, such as a train whistle played by Doughty on "Uh, Zoom Zip". This was in keeping with Tchad Blake's spirit of maverick experimentation, which included sticking a binaural head-shaped microphone in front of Yuval Gabay's drumkit, sticking a mic in a car muffler, called "the Bone" and sticking that in the drum booth as well, and having Doughty improvise wild, yelling ad-libs on "Casiotone Nation", singing into a cheap amplification system called an Ahuja that Blake bought in India. The speaker was essentially a huge bullhorn atop a stick.
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Available in:
Ruby Vroom was Soul Coughing's 1994 debut album. The album's sound is a mixture of sample-based tunes (loops of Raymond Scott's "Powerhouse" on "Bus to Beelzebub", Toots and the Maytals, Howlin' Wolf, The Andrews Sisters, and The Roches on "Down to This", and a loop of sampler player Mark De Gli Antoni's orchestral horns on "Screenwriter's Blues", among others). It also features guitar-based tunes like "Janine", "Moon Sammy", and "Supra Genius" and jazzy, upright-bass-fueled songs that often slyly quoted other material—the theme from Courageous Cat on "Is Chicago, Is Not Chicago", Thelonious Monk's "Misterioso" on "Casiotone Nation", and Bobby McFerrin's cover of Joan Armatrading's "Opportunity" on "Uh, Zoom Zip".
The album's lone guest is Rachel Benbow Murdy, band founder Mike Doughty's ex-girlfriend, who supplies a vocal on "Janine". Doughty had Murdy go out to a payphone in Sheridan Square in New York and improvise a long, meandering song into their answering machine. Recorded a year before the Ruby sessions, Doughty and bass player Sebastian Steinberg recorded the tune at the avant-garde jazz club The Knitting Factory during the daytime, when the club was closed, with club soundperson James McLean. McLean put a mic on the answering machine, which Doughty had brought to the session.
Ruby was named after Ruby Froom, daughter of record producer Mitchell Froom—a frequent collaborator of Ruby Vroom producer Tchad Blake—and singer/songwriter Suzanne Vega.
The album was recorded at Sunset Sound Factory in Hollywood, Blake and Froom's usual haunt—a storage room near the studio's lounge was filled with vintage keyboards and road cases filled with toys—whistles, baby rattles, children's toy xylophones. Many of these ended up in the songs, such as a train whistle played by Doughty on "Uh, Zoom Zip". This was in keeping with Tchad Blake's spirit of maverick experimentation, which included sticking a binaural head-shaped microphone in front of Yuval Gabay's drumkit, sticking a mic in a car muffler, called "the Bone" and sticking that in the drum booth as well, and having Doughty improvise wild, yelling ad-libs on "Casiotone Nation", singing into a cheap amplification system called an Ahuja that Blake bought in India. The speaker was essentially a huge bullhorn atop a stick.
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