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Track List
01) White Chocolate Space Egg
02) Big Tall Man
03) Perfect World
04) Johnny Feelgood
05) Polyester Bride
06) Love Is Nothing
07) Baby Got Going
08) Uncle Alvarez
09) Only Son
10) Go on Ahead
11) Headache
12) Ride
13) What Makes You Happy
14) Fantasize
15) Shitloads of Money
16) Girls' Room
01) White Chocolate Space Egg
02) Big Tall Man
03) Perfect World
04) Johnny Feelgood
05) Polyester Bride
06) Love Is Nothing
07) Baby Got Going
08) Uncle Alvarez
09) Only Son
10) Go on Ahead
11) Headache
12) Ride
13) What Makes You Happy
14) Fantasize
15) Shitloads of Money
16) Girls' Room
4:35
3:49
2:15
3:22
4:05
2:16
2:02
3:52
5:08
2:53
2:53
3:04
3:36
1:55
3:39
1:46
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1998
Indie
Fun
Rock/Pop
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Album
0 copies
Album Description
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Whitechocolatespaceegg is the third studio album by American singer-songwriter Liz Phair, released in 1998. whitechocolatespaceegg peaked at #35 on the Billboard 200.
Unlike her previous two albums, which dealt heavily with themes of sex and relationships, Whitechocolatespaceegg focused more on motherhood and family, as Phair had recently given birth to a son and was in the process of going through a divorce.
The album received generally positive reviews. Rolling Stone called it "engagingly intimate" while at the same time "playful and pop-y, with just enough dry humor." The magazine also praised the album for its storytelling-esque lyrics. The Washington Times wrote that Phair had successfully proved she was "no longer an unbridled twentysomething but now, at 31, a wife and mother, [who] has grown as an artist as well as a woman
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Whitechocolatespaceegg is the third studio album by American singer-songwriter Liz Phair, released in 1998. whitechocolatespaceegg peaked at #35 on the Billboard 200.
Unlike her previous two albums, which dealt heavily with themes of sex and relationships, Whitechocolatespaceegg focused more on motherhood and family, as Phair had recently given birth to a son and was in the process of going through a divorce.
The album received generally positive reviews. Rolling Stone called it "engagingly intimate" while at the same time "playful and pop-y, with just enough dry humor." The magazine also praised the album for its storytelling-esque lyrics. The Washington Times wrote that Phair had successfully proved she was "no longer an unbridled twentysomething but now, at 31, a wife and mother, [who] has grown as an artist as well as a woman
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