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Track List
01) Hell Yeah!
02) THC Groove
03) Thrill That Kills
04) Hang on St. Christopher
05) Talk to Your Daughter
06) Freakshow
07) Goodgirl
08) Do Me Raw
09) Ripping Me
10) Say Your Prayers
11) O Me O My
12) Huge
01) Hell Yeah!
02) THC Groove
03) Thrill That Kills
04) Hang on St. Christopher
05) Talk to Your Daughter
06) Freakshow
07) Goodgirl
08) Do Me Raw
09) Ripping Me
10) Say Your Prayers
11) O Me O My
12) Huge
3:24
3:44
3:11
3:58
3:36
4:29
3:27
3:11
2:57
3:17
3:02
3:05
Data Complete
60%
Total Rating
60%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1991
Hard Rock
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Rock/Pop
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Album
0 copies
Album Description
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Why it took three years between their debut and Freakshow is anyone's guess -- perhaps these things are better left for a documentary-length special on the band -- but Freakshow alters things a bit stylistically when compared to their first record. Many things have remained the same: the blues-driven, scale shredding guitar work, lyrics that would make Keats spin in his grave, and of course, the obligatory odes to feminine charm ("Do Me Raw," "Goodgirl," and "Huge") all remain constant bulletpoints (no pun intended) that keep the boys strong rockers. But unlike their first album, things do get to be more a bit on the serious side at points, and this is where the album begins to lose its charm. While the band would continue to release records, this would be their last for Warner Brothers, perhaps a reaction to the serious and sensitive music movement that was brewing on the U.S. Pacific Northwest coast around that time. Whatever the reasoning may be, this was their last solid album, as what followed in their career was merely a rehash of the latest music trends of the moment, with trace elements lurking here and there of what made the Bulletboys so fun to begin with.
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Available in:
Why it took three years between their debut and Freakshow is anyone's guess -- perhaps these things are better left for a documentary-length special on the band -- but Freakshow alters things a bit stylistically when compared to their first record. Many things have remained the same: the blues-driven, scale shredding guitar work, lyrics that would make Keats spin in his grave, and of course, the obligatory odes to feminine charm ("Do Me Raw," "Goodgirl," and "Huge") all remain constant bulletpoints (no pun intended) that keep the boys strong rockers. But unlike their first album, things do get to be more a bit on the serious side at points, and this is where the album begins to lose its charm. While the band would continue to release records, this would be their last for Warner Brothers, perhaps a reaction to the serious and sensitive music movement that was brewing on the U.S. Pacific Northwest coast around that time. Whatever the reasoning may be, this was their last solid album, as what followed in their career was merely a rehash of the latest music trends of the moment, with trace elements lurking here and there of what made the Bulletboys so fun to begin with.
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None...
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unlockedRank: External Links
