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Track List
01) Intro
02) Immer noch
03) Oh nein
04) Fickdeinemutterslang
05) Denk an mich
06) Ghettorap hin, Ghettorap her
07) Sonny Black
08) Nie ein Rapper
09) Also komm...
10) Träume im Dunkeln
11) Wer ist dieser Junge?
12) Besoffene Kinder
13) Es tut mir leid
14) Du bist out
15) Taliban
01) Intro
02) Immer noch
03) Oh nein
04) Fickdeinemutterslang
05) Denk an mich
06) Ghettorap hin, Ghettorap her
07) Sonny Black
08) Nie ein Rapper
09) Also komm...
10) Träume im Dunkeln
11) Wer ist dieser Junge?
12) Besoffene Kinder
13) Es tut mir leid
14) Du bist out
15) Taliban
0:59
3:03
2:43
3:39
3:23
3:18
2:45
4:02
3:17
3:42
2:56
3:00
4:07
2:55
4:03
Data Complete
70%
Total Rating
70%Total Rating
(1 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2005
Hip-Hop
Angry
German Rap
Street Life
Medium
Album
0 copies
Album Description
Available in:
With the album Carlo Cokxxx Nutten, released at the end of 2002, Sonny Black alias Bushido and Fler established a new hip-hop genre in Germany that had previously only been widely accepted in the underground: ghetto rap. Even back then, the record set new standards in terms of the harshness of its lyrics. In 2005, the duo, which now consists of Sonny Black and the 19-year-old rapper Saaad, again doesn't mince its words on Carlo Cokxxx Nutten II and not only takes on former friends such as Fler or Sido in the 15 tracks, but also deals out powerful blows in all directions. Sonny Black, who produced and arranged all the tracks apart from the first number himself, and Saaad leave nothing but scorched earth behind them on their crusade. Their rhymes are even more aggressive and humorless this time than on their debut album, which already reached new levels of heaviness in this respect. The rage that the two carry within them is channeled into wild fantasies of violence in songs like "Oh no" or "Ghettorap hin, Ghettorap her". Their punchlines are deliberately designed to hit the listener right in the stomach. And the sparse beats, coated with all kinds of electronic sounds, are also primarily geared towards perfect functionality. The impact of many tracks is correspondingly high, the stylistic The range of variation is correspondingly small. However, as neither Sonny Black nor Saaad attach any great importance to this, the accusation is largely unfounded. The mood that most of the songs on Carlo Cokxxx Nutten exude can only be inadequately described as gloomy. If you want to know where the heart of German ghetto rap beats in 2005, you can't get past this album, as ambivalent as many of the statements it contains may be. --Norbert Schiegl
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Available in:
With the album Carlo Cokxxx Nutten, released at the end of 2002, Sonny Black alias Bushido and Fler established a new hip-hop genre in Germany that had previously only been widely accepted in the underground: ghetto rap. Even back then, the record set new standards in terms of the harshness of its lyrics. In 2005, the duo, which now consists of Sonny Black and the 19-year-old rapper Saaad, again doesn't mince its words on Carlo Cokxxx Nutten II and not only takes on former friends such as Fler or Sido in the 15 tracks, but also deals out powerful blows in all directions. Sonny Black, who produced and arranged all the tracks apart from the first number himself, and Saaad leave nothing but scorched earth behind them on their crusade. Their rhymes are even more aggressive and humorless this time than on their debut album, which already reached new levels of heaviness in this respect. The rage that the two carry within them is channeled into wild fantasies of violence in songs like "Oh no" or "Ghettorap hin, Ghettorap her". Their punchlines are deliberately designed to hit the listener right in the stomach. And the sparse beats, coated with all kinds of electronic sounds, are also primarily geared towards perfect functionality. The impact of many tracks is correspondingly high, the stylistic The range of variation is correspondingly small. However, as neither Sonny Black nor Saaad attach any great importance to this, the accusation is largely unfounded. The mood that most of the songs on Carlo Cokxxx Nutten exude can only be inadequately described as gloomy. If you want to know where the heart of German ghetto rap beats in 2005, you can't get past this album, as ambivalent as many of the statements it contains may be. --Norbert Schiegl
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