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Track List
01) We Have Forgotten
02) Anything
03) The Waiting Room
04) Kiss Me
05) Easy to Ignore
06) Puedo escribir
07) I Can't Catch You
08) The Lines of My Earth
09) Sister, Mother
10) I Won't Stay Long
11) Love
12) Moving On
01) We Have Forgotten
02) Anything
03) The Waiting Room
04) Kiss Me
05) Easy to Ignore
06) Puedo escribir
07) I Can't Catch You
08) The Lines of My Earth
09) Sister, Mother
10) I Won't Stay Long
11) Love
12) Moving On
5:07
4:45
5:14
3:30
3:52
3:45
4:12
4:26
3:05
2:15
3:56
3:51
Data Complete
70%
Total Rating
70%Total Rating
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Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
1997
Alternative Rock
Good Natured
Rock/Pop
---
Medium
Album
0 copies
Album Description
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After toiling in relative obscurity in the Christian pop ghetto for several years, Sixpence None the Richer suddenly exploded on to the pop charts in 1999 on the strength of "Kiss Me," an utterly irresistible slice of swoony guitar pop that, once heard, is impossible to shake loose from the brain and could well turn out to be this generation's "I Wanna Hold Your Hand." The rest of the album may not be quite as memorable, but that's not to say that "Kiss Me" is the only thing worth hearing. "Anything," with its fruity chord progression and string sweetening, is almost Beatlesque; "The Lines of My Earth" draws subtly on country influences. Then there's the Pablo Neruda setting. There are moments when the wispiness of Leigh Nash's voice isn't adequately offset by sturdier accompaniment, but overall this is a very winning album. Those who are offended by religious messages in their pop music don't need to worry -- there are a few here, but they're pretty subtle.
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After toiling in relative obscurity in the Christian pop ghetto for several years, Sixpence None the Richer suddenly exploded on to the pop charts in 1999 on the strength of "Kiss Me," an utterly irresistible slice of swoony guitar pop that, once heard, is impossible to shake loose from the brain and could well turn out to be this generation's "I Wanna Hold Your Hand." The rest of the album may not be quite as memorable, but that's not to say that "Kiss Me" is the only thing worth hearing. "Anything," with its fruity chord progression and string sweetening, is almost Beatlesque; "The Lines of My Earth" draws subtly on country influences. Then there's the Pablo Neruda setting. There are moments when the wispiness of Leigh Nash's voice isn't adequately offset by sturdier accompaniment, but overall this is a very winning album. Those who are offended by religious messages in their pop music don't need to worry -- there are a few here, but they're pretty subtle.
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