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Track List
01) Too Sick to Pray
02) Mansion on the Hill
03) Sad Eyed Lady of the Lowlife
04) Walking in My Sleep
05) Wade Into the Water
06) Hotel California
07) Cocaine (Killed My Community)
08) The Thrills Have Gone
09) 2129
10) Strange
11) Sinking...
12) Woke Up This Morning
01) Too Sick to Pray
02) Mansion on the Hill
03) Sad Eyed Lady of the Lowlife
04) Walking in My Sleep
05) Wade Into the Water
06) Hotel California
07) Cocaine (Killed My Community)
08) The Thrills Have Gone
09) 2129
10) Strange
11) Sinking...
12) Woke Up This Morning
4:45
3:00
4:43
6:09
5:15
5:34
4:44
4:30
4:24
5:27
5:45
4:09
Data Complete
40%
Total Rating
40%Total Rating
(0 users)
Back Cover
CD Art
3D Case
3D Thumb
3D Flat
3D Face
3D Spine
First Released
2000
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Album
0 copies
Album Description
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Most Americans' introduction to A3 came via the use of the group's "Woke Up This Morning" at the start of episodes of the television series The Sopranos. The odd combination of gutbucket rhythms, gospel harmonies, electronic bleeps, and Robb Spragg's gravely voice intoning, "Woke up this morning with a blue moon in your eye," as the camera records a passenger-seat view of a car emerging from the Lincoln Tunnel and making its way through the industrial wasteland of northern New Jersey is now an indelible TV experience. But Sopranos fans might be surprised to know that the song is the work of an odd musical collective from the Brixton district of London who sport such pseudonyms as the Empiricist (guitarist Mark Sams) and The Spirit (keyboard player Orlando Harrison). It's no wonder that placing them is difficult. They seem to have spent most of their time absorbing media depictions of America, minus any cultural context, and then mixing these undigested references up with dance music. Though the beats rarely flag on the group's second album, La Peste, elements of folk, country, blues, and gospel come and go in incongruous profusion. Similarly, the lyrics, sung largely by Spragg (sorry, he also calls himself Larry Love), name-drop endlessly and even borrow phrases and titles from other songs -- "Mansion on the Hill" is also the title of a Hank Williams song, for example, and "Sad Eyed Lady of the Lowlife" recycles Bob Dylan's "Sad Eyed Lady of the Lowlands." The result is at best gimmicky and at worst pretentious. And speaking of pretentious, Charles Harrison's liner notes acknowledge the band's music to be "flagrantly inauthentic," then speculate whether "their American audience" realizes this and, if so, what they make of it. The answer, so far, is that A3's American audience is confined to Sopranos fans who don't have a clue who they are, anyway. Those fans are likely to enjoy La Peste, if they find out about it, since much of it sounds like "Woke Up This Morning," though they may well wonder what the band is on about. That's a good question.
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Most Americans' introduction to A3 came via the use of the group's "Woke Up This Morning" at the start of episodes of the television series The Sopranos. The odd combination of gutbucket rhythms, gospel harmonies, electronic bleeps, and Robb Spragg's gravely voice intoning, "Woke up this morning with a blue moon in your eye," as the camera records a passenger-seat view of a car emerging from the Lincoln Tunnel and making its way through the industrial wasteland of northern New Jersey is now an indelible TV experience. But Sopranos fans might be surprised to know that the song is the work of an odd musical collective from the Brixton district of London who sport such pseudonyms as the Empiricist (guitarist Mark Sams) and The Spirit (keyboard player Orlando Harrison). It's no wonder that placing them is difficult. They seem to have spent most of their time absorbing media depictions of America, minus any cultural context, and then mixing these undigested references up with dance music. Though the beats rarely flag on the group's second album, La Peste, elements of folk, country, blues, and gospel come and go in incongruous profusion. Similarly, the lyrics, sung largely by Spragg (sorry, he also calls himself Larry Love), name-drop endlessly and even borrow phrases and titles from other songs -- "Mansion on the Hill" is also the title of a Hank Williams song, for example, and "Sad Eyed Lady of the Lowlife" recycles Bob Dylan's "Sad Eyed Lady of the Lowlands." The result is at best gimmicky and at worst pretentious. And speaking of pretentious, Charles Harrison's liner notes acknowledge the band's music to be "flagrantly inauthentic," then speculate whether "their American audience" realizes this and, if so, what they make of it. The answer, so far, is that A3's American audience is confined to Sopranos fans who don't have a clue who they are, anyway. Those fans are likely to enjoy La Peste, if they find out about it, since much of it sounds like "Woke Up This Morning," though they may well wonder what the band is on about. That's a good question.
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